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Lascaux Modelling Paste A – Modeling Paste for Painting and Restoration

Lascaux Modelling Paste A – Modeling Paste for Painting and Restoration

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Lascaux Modelling Paste A — the fine-grain modelling paste, the one that dries smooth

Modelling Paste A is a thickened, pure acrylic resin dispersion, filled with finely ground, high-quality calcite. It is the fine-grain paste in the family: it dries to form a smooth surface. B and C also contain quartz sand and dry rough and very rough, respectively. It comes opaque and ready to use: applied undiluted, in any final thickness.

What is it used for?

  • Filling out an impasto — replacing the body of the paint layer where it is missing, to level the relief.
  • Filling out a relief — restoring lost volume on a surface worked in relief.
  • Fresco — completing fresco plaster, and preparing fresco-like textured grounds or substrates.
  • Filling cracks with a spatula.
  • Impasto and paste painting — gives body to the paint and increases its volume.
  • Collage and mosaic — embedding materials in the paste.

These are the uses described by the manufacturer. For any other support or situation, see below the manufacturer's own instruction on prior suitability testing.

Why choose Modelling Paste A?

  • The only one of the three that dries smooth — A smooth · B rough · C very rough. That is the criterion when the surface to be levelled is smooth.
  • A certain amount of shrinkage on drying, without cracking. As it dries, a certain amount of shrinkage occurs due to water evaporation, with no crack formation, even in thick layers.
  • Opaque and ready to use. Applied undiluted, in the thickness the work requires — respecting the limit of 1 cm per pass.
  • Hard elastic, with strong adhesion, and water resistant once dry. Dried layers can be covered with more paste or painted over with acrylics.
  • Documented manufacturing and labelling. Manufactured by Lascaux Colours & Restauro (Barbara Diethelm AG, Brüttisellen, Switzerland), which declares conformity with ASTM D-4236, the US standard for labelling chronic hazards in art materials. It is a labelling standard, not a certificate of safety: handling precautions remain those in the safety information block.

How to use — the manufacturer's figures

  • Undiluted. Used as is, in any final thickness.
  • Never more than 1 cm per pass, so that drying does not take longer. Already-dried layers can be covered with more paste or painted over with acrylics.
  • It can be added to Lascaux acrylic colours in any proportion. Mixed with them, the Natural version lightens the tone slightly, due to its low tinting strength.
  • The greatest plastic effect is obtained by applying the paste unmixed and overpainting with Lascaux acrylic colours once dry.
  • pH ≈ 9.5 · density ≈ 1.5 g/cm³ (20 °C) · viscosity 150,000–300,000 mPa·s (20 °C).

Limits of use

  • Never more than 1 cm per pass. It is the only thickness limit given by the manufacturer: above it, drying takes longer.
  • The paste dries water resistant, and the manufacturer does not publish any removal method. Neither the technical data sheet nor the safety data sheet mention removal or a removal solvent. If used in a conservation treatment, the procedure should be documented on this assumption.
  • Test suitability on the specific support before intervening. This is a written instruction from the manufacturer itself: the technical information does not exempt the user from testing the product beforehand on their support and under their specific conditions of use.
  • No published drying time or shelf life, either unopened or once opened.
  • Contains preservatives that may cause an allergic reaction — see the safety information block below.

Presentation and storage

  • Presentation: 250 ml jar · 500 ml jar · 1 L jar · 5 L bucket.
  • Colour: Natural (neutral / white). The manufacturer also makes Modelling Paste A in Mineral Grey and Black Earth, but the 500 ml jar exists only in Natural.
  • Store in the original container or another of the same material, dry and cool, avoiding heat and direct sunlight.
  • Shelf life: the manufacturer does not publish an expiry date, either unopened or once opened.

Manufactured by Lascaux Colours & Restauro — Barbara Diethelm AG, Brüttisellen (Switzerland).

⚠️ Safety information

EUH208 (European supplementary hazard statement on sensitisers) — Contains 1,2-BENZISOTHIAZOL-3(2H)-ONE and 2-METHYL-2H-ISOTHIAZOL-3-ONE. May produce an allergic reaction.

  • Product not classified as hazardous under Regulation (EC) 1272/2008 (CLP): no pictogram or signal word.
  • Eye protection: wear protective goggles if there is a risk of splashing.
  • Skin contact: wash thoroughly with water and soap or a recognised skin cleanser. Do not use solvents or thinners.
  • Eye contact: remove contact lenses, keep eyelids open and rinse with plenty of water for 10-15 minutes. See a doctor.
  • Ingestion: see a doctor immediately. Keep at rest. Do not induce vomiting.
  • Do not eat, drink or smoke while working.
  • In case of spillage: keep away from ignition sources and ventilate the area well.
  • Storage: in the original container or one of the same material, dry and cool, away from heat and direct sunlight.
  • Waste: LER (European Waste Catalogue) code 08 01 12 — paint and varnish waste other than those mentioned in 08 01 11.
  • Safety data sheet available on request.

Frequently asked questions

What is the difference from Modelling Paste B and C?
The grain and finish, not the filling depth: A = fine grain, dries smooth · B = coarse grain, dries rough · C = extra coarse grain, dries very rough. B and C also contain quartz sand. Choice criterion: if the surface to be levelled is smooth, choose A; if it is rough, choose Modelling Paste B Natural. For fresco-type priming on virtually all supports, the manufacturer names B and C.
Does it need diluting? How thick can I apply it in one go?
It is not diluted: used as is, in any final thickness. The only limit given by the manufacturer is never more than 1 cm per pass, so that drying does not take longer. Already-dried layers can be covered with more paste or painted over with acrylics.
Does it crack when it dries?
As it dries, a certain amount of shrinkage occurs due to water evaporation, but no cracks form, even in thick layers. The manufacturer describes the shrinkage without giving a figure.
Can I tint it before applying it, or paint over it once dry?
Both. It can be mixed with Lascaux acrylic colours in any proportion; with the Natural version, the mixed tone only lightens slightly, due to the paste's low tinting strength. And once fully dry, it can be overpainted. Conservation criterion, not the manufacturer's: when the treatment calls for a water-based, more easily distinguishable retouch, we work with Lascaux Aquacryl Fluid —a transparent acrylic watercolour from the same manufacturer— and with MIR extra-fine watercolours, 8 ml. The manufacturer describes overpainting with its own acrylic colours; behaviour with any other product should be tested on a trial area.
What is used to remove it once dry?
The manufacturer does not publish any removal method, and warns that the paste is water resistant once dry. Neither the technical data sheet nor the safety data sheet mention removal or a removal solvent. So, if used in a conservation treatment, the procedure must be documented on the assumption that removal is not described by the product's manufacturer.
Can I use it on any support?
The manufacturer states it in writing: the technical information does not exempt the user from testing the product's suitability beforehand on their support and under their specific conditions of use. This is the instruction that overrides any general recommendation. Conservation criterion, not the manufacturer's: if the edge of the area to be filled is friable or powdery, prior consolidation is a separate step: that is what Lascaux Medium for Consolidation is for.
Does it work as a fresco-type ground? When should I choose something else from the catalogue?
For fresco-type priming on virtually all supports, the manufacturer expressly names B and C. It does not say this of A. It does include fresco-like textured grounds or substrates among the applications of all three. And there are two cases where a different chemical family is called for. Milliput Standard is a two-component epoxy putty: a different chemistry and a different conservation criterion. And if the criterion of the treatment is compatibility with a historical proteinaceous ground and a modern acrylic is not wanted, the base is Divolo rabbit skin glue.
How long does it take to dry? Does the jar expire?
Neither is published by the manufacturer. It gives no drying time —it only warns that above 1 cm per pass drying takes longer— and it gives no shelf life, either unopened or once opened. What it does state is how to store it: original container or one of the same material, dry and cool, away from heat and direct sunlight.

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