MIR Extra Fine Oil — Earth Tones, Reds, and Neutrals · 20/60/200 ml Tubes
MIR Extra Fine Oil — Earth Tones, Reds, and Neutrals · 20/60/200 ml Tubes
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Extra-fine oil paint, made with specific fine art pigments, offering high lightfastness and luminosity. The drying vegetable oils in MIR oil paints are carefully selected to avoid altering the pigment's tone and to dry uniformly into a colorless layer of maximum transparency and homogeneity. Pinturas MIR has been manufacturing artistic colors in Spain since 1933.
This range includes the earths, ochres, reds, carmines, and neutrals (blacks and grays) from MIR Extra-Fine Oil Paint. Choose the color and format (20, 60, or 200 ml tube) from the same dropdown menu.
Why choose MIR Extra-Fine Oil Paint?
- Fine art pigments with high lightfastness and great luminosity.
- Selected drying vegetable oils to avoid altering the pigment's tone.
- Uniform drying into a colorless layer, with maximum transparency and homogeneity.
- Three formats per color: 20, 60, and 200 ml (1 L and 5 L upon request).
Uses and applications
- Artistic oil painting: on canvas, board, and prepared paper. Earths and ochres are the foundation for portraiture, landscapes, and glazing.
- Conservation-restoration: retouching and reconstruction of pictorial layers using the original oil technique, where medium compatibility with the original is sought. (For reversible reintegration based on museum criteria, specific non-oily media are used.)
- Color study, direct technique, glazes, and impasto.
Lightfastness and opacity by color
Official classification by Pinturas MIR for each color in this range. Lightfastness refers to the resistance to fading (permanence); opacity, to the covering power.
| No. | Color | Lightfastness | Opacity |
|---|---|---|---|
| 30A | MIR Rose | ★★ | Opaque |
| 31 | Dark MIR Red | ★★★ | Transparent |
| 31A | Magenta (Primary) | ★★★ | Transparent |
| 32 | Cadmium Red (Hue) | ★★★ | Semi-transparent |
| 32A | Light Cadmium Red | ★★★ | Opaque |
| 32B | Dark Cadmium Red | ★★★ | Opaque |
| 33 | Vermilion | ★★ | Semi-transparent |
| 34 | Alizarin Crimson | ★★★ | Semi-transparent |
| 34A | Extra Dark Alizarin Crimson | ★★★ | Transparent |
| 34B | Purest Alizarin Crimson | ★★★ | Transparent |
| — | Cassel Earth | ★★★ | Opaque |
| 38 | MIR Gray | ★★★ | Opaque |
| 39 | Ivory Black | ★★★ | Opaque |
| 39A | Mars Black | ★★★ | Opaque |
| 41 | Yellow Ochre | ★★★ | Opaque |
| 42 | Gold Ochre | ★★★ | Opaque |
| 43 | Flesh Ochre | ★★★ | Opaque |
| 44 | Red Ochre | ★★★ | Opaque |
| 45 | Raw Umber | ★★★ | Semi-transparent |
| 46 | Burnt Umber | ★★★ | Opaque |
| 47 | Raw Sienna | ★★★ | Semi-transparent |
| 48 | Burnt Sienna | ★★★ | Opaque |
| 49 | Pozzuoli Red | ★★★ | Opaque |
| 50 | Bitumen | ★ | Transparent |
| — | Toval Luminous Pink | ★ | Transparent |
Lightfastness: ★★★ maximum (permanent) · ★★ good · ★ limited. Mineral earths and ochres (41–49), blacks, and genuine cadmiums (32A, 32B) offer maximum permanence. Cadmium Red (Hue) is an imitation. Attention: Bitumen is for traditional artistic use —slow drying and limited permanence, not suitable for conservation—; Toval Luminous Pink is a decorative fluorescent pigment, not permanent.
Instructions for use and precautions
Oil paint dries by oxidation of the oils; drying time varies depending on color, thickness, and environmental conditions. Follow the "fat over lean" rule when layering. Bitumen is a slow-drying color for exclusively artistic use: in thick layers, it may not dry completely. Clean tools with turpentine essence or white spirit before the color dries.
Safety
Low-risk product under normal use. Cadmium colors (cadmium reds) contain pigments classified as hazardous: do not ingest, do not pulverize or sand the dry film, and consult the Safety Data Sheet (SDS) for the color. "Hue" colors are cadmium-free imitations. Keep out of reach of children.
Do you have questions? Write to us
We can help you choose the right color and format for your artwork. WhatsApp · innovart.art · info@innovart.art
