{"title":"Papers and Tissues for Restoration Support","description":"\u003ch2\u003eSupport Papers and Fabrics for Restoration\u003c\/h2\u003e\n\u003cp\u003eSpecialized materials such as \u003cstrong\u003ecellulose, neutral papers, Japanese papers, gauzes, and non-woven fabrics\u003c\/strong\u003e for temporary protection, reversible facing, and veiling in conservation-restoration interventions on paintings, sculptures, and cultural heritage.\u003c\/p\u003e\n\u003ch3\u003eMain Applications and Uses\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eReversible facing and veiling\u003c\/strong\u003e: temporary protection of paint layers during consolidation, fixing, or relocation interventions using Japanese papers and gauzes of different grammages\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eControlled cleaning with poultices\u003c\/strong\u003e: extraction of soluble salts, efflorescence, and surface deposits using cellulose or paper pulp poultices applied with aqueous or chelating solutions\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eProtection during transport and handling\u003c\/strong\u003e: temporary wraps and protections with low-adhesion non-woven fabrics for delicate works, polychromies, and fragile surfaces\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSupport for structural consolidation and fixing\u003c\/strong\u003e: use of Japanese paper, gauzes, and fabrics for stabilization with diluted adhesives and consolidants that allow controlled penetration without saturation\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTemporary separation and isolation\u003c\/strong\u003e: interposition of reversible barriers between layers during restoration processes, drying, or temporary storage\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eApplication of chemical cleaning poultices\u003c\/strong\u003e: support for gels, emulsions, and controlled cleaning systems on surfaces\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eSpecialties in Heritage Restoration\u003c\/h3\u003e\n\u003cp\u003eMaterials used in\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003emural painting restoration\u003c\/strong\u003e, conservation of polychrome \u003cstrong\u003ealtarpieces\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003erestoration of historical \u003cstrong\u003efacades\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewith pictorial decoration, intervention on \u003cstrong\u003epolychrome sculpture\u003c\/strong\u003e, conservation of \u003cstrong\u003eworks on canvas\u003c\/strong\u003e, restoration of \u003cstrong\u003egilding \u003c\/strong\u003eand gold leaf, and \u003cstrong\u003eprotection of delicate surfaces\u003c\/strong\u003e in museums and collections.\u003c\/p\u003e\n\u003cp\u003eThese materials include those commonly used in the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003econservation of organic materials\u003c\/strong\u003e, such as the restoration of documents and graphic works on paper, the consolidation of historical textiles and tapestries, intervention on polychrome wood supports, the protection of bindings and old books, the conservation of parchments and manuscripts, and the restoration of pictorial fabrics and canvases.\u003c\/p\u003e\n\u003ch3\u003eProfessional Selection Criteria\u003c\/h3\u003e\n\u003cp\u003eAll materials are \u003cstrong\u003epH neutral, acid-free, and fully reversible\u003c\/strong\u003e, ensuring maximum compatibility with works of art and cultural heritage. They comply with international standards for preventive conservation and restoration according to the Venice and Restauro Charters. Designed for professionals who require archival materials, high purity, and predictable behavior in conservation-restoration interventions.\u003c\/p\u003e","products":[{"product_id":"hollytex-lascaux-tejido-no-tejido-de-poliester-para-restauracion-de-papel-y-obra-sobre-lienzo","title":"Hollytex Lascaux — Non-woven polyester fabric for paper and canvas artwork restoration","description":"\u003cp\u003e\u003cstrong\u003eLascaux Hollytex\u003c\/strong\u003e is a spunbonded polyester non-woven fabric, a benchmark in cultural heritage conservation and restoration. Inert, solvent-resistant, and dimensionally stable, it is the support material used for working on paper or graphic art with complete safety. Its structure of compacted continuous polyester fibers gives it tear resistance far superior to any paper of equivalent grammage, without adding stiffness or reacting to changes in humidity or temperature. The edges do not fray, the material does not migrate to the artwork, and it can be cleaned or reused without degrading.\u003c\/p\u003e\n\u003ch3\u003eApplications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSupport for washing paper and graphic art:\u003c\/strong\u003e stable base during aqueous treatments; allows handling fragile artworks without risk of deformation or breakage and facilitates controlled transfer in and out of the washing bath\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSeparator between blotting paper:\u003c\/strong\u003e placed between the damp artwork and the blotter, it prevents blotter fibers from adhering to the surface during drying, achieving clean and controlled drying, without marks or transfers\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eInterleave in linings and reinforcements:\u003c\/strong\u003e intermediate layer in paper and artwork lining processes, providing stability without altering the properties of the original support\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eConservation of canvas paintings:\u003c\/strong\u003e localized consolidation of edges, reinforcement of stretching margins, and local applications where mechanical strength with minimal thickness is needed\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eSpunbonded polyester non-woven, inert and solvent-resistant\u003c\/li\u003e\n\n\u003cli\u003eDimensionally stable: does not react to changes in humidity or temperature\u003c\/li\u003e\n\n\u003cli\u003eTear resistance far superior to paper of equivalent grammage, without adding stiffness\u003c\/li\u003e\n\n\u003cli\u003eEdges do not fray and the material does not migrate to the artwork\u003c\/li\u003e\n\n\u003cli\u003eCan be cleaned or reused without degrading\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eCompatible with \u003cstrong\u003eBEVA 371 film\u003c\/strong\u003e (heat-reversible), \u003cstrong\u003eParaloid B-72\u003c\/strong\u003e in acetone, and \u003cstrong\u003eLascaux 498 HV\u003c\/strong\u003e. Not suitable for aqueous adhesives applied directly to Hollytex without an intermediate layer—polyester does not absorb water.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo you have any questions?\u003c\/strong\u003e Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e, or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e, and we will advise you.\u003c\/p\u003e","brand":"Lascaux","offers":[{"title":"Default Title","offer_id":52841304916315,"sku":null,"price":149.23,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/Lascaux_Hollytex_Innovart_lamejortiendadecoservacionyrestauracion.jpg?v=1776681295"},{"product_id":"lascaux-lino-puro-l-40","title":"Lascaux Pure Lino L-40","description":"\u003cp\u003eThe \u003cstrong\u003eLascaux L-40 Pure Linen Canvas\u003c\/strong\u003e is the Swiss brand's premium linen for relining large-format paintings. It is a 100% pure linen (\u003cem\u003eLinum usitatissimum\u003c\/em\u003e), without sizing or treatments, with a uniform weave and regular warp. With a usable width of 320 cm—the widest in the Lascaux catalog—it allows for relining large-format works without the need for seams or intermediate joins, maintaining the continuous mechanical integrity of the secondary support. Sold by the linear meter.\u003c\/p\u003e\n\u003ch3\u003eApplications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eClassic relining of large-format canvas paintings (\u0026gt;200 × 200 cm)\u003c\/li\u003e\n\n\u003cli\u003eSecondary support in structural consolidation interventions for works with loss of mechanical integrity\u003c\/li\u003e\n\n\u003cli\u003eMuseum-quality relining where maximum purity of added material is required\u003c\/li\u003e\n\n\u003cli\u003eRelining of large-format contemporary works\u003c\/li\u003e\n\n\u003cli\u003eOil and acrylic painting support for professional artists who demand untreated linen with maximum long-term dimensional stability\u003c\/li\u003e\n\n\u003cli\u003ePreparation of large-format stretchers with acrylic or oil primers prepared by the artist\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e100% pure linen, without blends, with maximum support purity\u003c\/li\u003e\n\n\u003cli\u003eRegular and uniform weave, premium quality\u003c\/li\u003e\n\n\u003cli\u003eUsable width of 320 cm—the widest in the Lascaux catalog\u003c\/li\u003e\n\n\u003cli\u003eNo sizing, no priming, no chemical treatment\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% pure linen (\u003cem\u003eLinum usitatissimum\u003c\/em\u003e), without blends\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 298 g\/m²\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eUsable Width:\u003c\/strong\u003e 320 cm\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSurface Treatment:\u003c\/strong\u003e no sizing, no priming, no chemical treatment\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeave:\u003c\/strong\u003e regular and uniform, premium quality\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eColor:\u003c\/strong\u003e natural unbleached\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Switzerland\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSales Format:\u003c\/strong\u003e by the linear meter (minimum 1 m)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLascaux Reference:\u003c\/strong\u003e 4510\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eEAN:\u003c\/strong\u003e 7612254017500\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eCompatibility with Adhesives and Consolidants\u003c\/h3\u003e\n\u003cp\u003eSupport compatible with the main relining adhesives used in conservation-restoration:\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLascaux 498 HV\u003c\/strong\u003e (thermoplastic acrylic, thermally reactivable) — international reference for cold and hot relining\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLascaux 360 HV\u003c\/strong\u003e — variant with lower thermoplasticity\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eBeva 371 and Beva 371 Film\u003c\/strong\u003e — wax-resin adhesives with thermal activation\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePlextol B500 \/ D360\u003c\/strong\u003e — acrylic dispersions for reversible relining\u003c\/li\u003e\n\n\u003cli\u003eTraditional adhesives (animal glue, flour paste) — use after characterization of the original\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLascaux 375\u003c\/strong\u003e (liquid and film) — hot-melt adhesives\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003eFor subsequent priming (artistic use): compatible with acrylic primers (Lascaux Acrylic Ground, Golden GAC 100\/200, acrylic Gesso) and traditional oil primers.\u003c\/p\u003e\n\u003ch3\u003eHow to Choose Between Lascaux Relining Linens\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eRef. 4452 — Relining Canvas 300\u003c\/strong\u003e (305 g\/m², 320 cm): large-format relining on a budget\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eRef. 4501 — Relining Canvas 320\u003c\/strong\u003e (345 g\/m², 223 cm): medium-sized work relining with a good density-cost balance\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eRef. 4502 — Relining Canvas 380\u003c\/strong\u003e (380 g\/m², 206 cm): heavy works requiring maximum density\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eRef. 4504 — Portrait Canvas 990\u003c\/strong\u003e (175 g\/m², 226 cm): small and delicate works, very fine weave\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eRef. 4510 — Pure Linen L-40 (this product)\u003c\/strong\u003e (298 g\/m², 320 cm): large-format relining with maximum material purity requirement\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eShipping Format\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eSold by linear meter — minimum quantity 1 m\u003c\/li\u003e\n\n\u003cli\u003eOrders over 20 m — contact to confirm availability\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHave questions?\u003c\/strong\u003e Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e, or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we will advise you.\u003c\/p\u003e","brand":"Lascaux","offers":[{"title":"Default Title","offer_id":53005629129051,"sku":"4510","price":160.06,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/imgi_3_Lascaux_Reinleinen_L40.jpg?v=1779127853"},{"product_id":"lascaux-portrait-linen-990-lino-restauracion","title":"Lascaux Portrait Linen 990 — Belgian Linen 175 G\/m² Restoration","description":"\u003cp\u003eThe \u003cstrong\u003eLascaux Portrait Linen 990\u003c\/strong\u003e is a 100% pure, long-fiber, untreated, and uncalendered Belgian linen, conceived as a lightweight textile support for conservation-restoration. Its medium-low grammage (175 g\/m²) and fine, balanced weave make it especially suitable for interventions where a heavy relining linen would be excessive: small-to-medium format works, reversible perimeter reinforcements, localized patches, and museum replicas. As a \u003cem\u003egreige\u003c\/em\u003e fabric—without sizing, without adhesive, and without added starch—it offers a support free of prior chemical interactions with consolidants, adhesives, or primers. The natural texture remains intact thanks to its uncalendered finish.\u003c\/p\u003e\u003ch3\u003eApplications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003eRelining of small-to-medium format artworks with compatible fine original weave\u003c\/li\u003e\n\n\u003cli\u003eStrip-lining (reversible perimeter bands)\u003c\/li\u003e\n\n\u003cli\u003eLocalized patches for artworks with tears or specific damage\u003c\/li\u003e\n\n\u003cli\u003eReplacement of original support in paint layer transfers\u003c\/li\u003e\n\n\u003cli\u003eMuseum replica or documented copy\u003c\/li\u003e\n\n\u003cli\u003eSupport for contemporary art with a focus on museum durability\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% Belgian linen, long fiber\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTreatment:\u003c\/strong\u003e greige (without sizing, without adhesive, without starch)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFinish:\u003c\/strong\u003e uncalendered\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eGrammage:\u003c\/strong\u003e 175 g\/m²\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eUsable width:\u003c\/strong\u003e 226 cm\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDensity:\u003c\/strong\u003e 24.5 threads\/cm (weft) × 25 threads\/cm (warp)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eUnit of sale:\u003c\/strong\u003e linear meter\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eManufacturer:\u003c\/strong\u003e Lascaux (Switzerland)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eReference:\u003c\/strong\u003e 4504\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eWhen not to use it\u003c\/h3\u003e\u003cp\u003eThe Portrait Linen 990 \u003cstrong\u003eis not the appropriate support for total relining of large works (\u0026gt;2 m²) or those that are structurally compromised\u003c\/strong\u003e. For these cases, we recommend the Lining Canvas 300, 320, or 380 from the Lascaux catalog, specifically formulated for that function with higher grammages (305–380 g\/m²).\u003c\/p\u003e\u003ch3\u003eTechnical Warnings\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePre-preparation:\u003c\/strong\u003e controlled humidification or low-temperature washing without detergent before mounting, to release weaving tensions and stabilize dimensionally. Lascaux does not document shrinkage percentage; testing a sample is mandatory.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStretching:\u003c\/strong\u003e the fabric lacks sizing and has greater elasticity than a primed linen. Stretch in two or more progressive phases on a stretcher frame or relining loom.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePriming:\u003c\/strong\u003e required if used as a support for new work or replicas (animal glue with filler, or acrylic system like Lascaux Gesso). Not required if used as a relining linen.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCompatible adhesives:\u003c\/strong\u003e for use in relining, compatibility validated in C\u0026amp;R literature with acrylic dispersions (Plextol B500, Lascaux 498 HV or 360 HV), hot melts (BEVA 371) and traditional glues (sturgeon glue), always under reversibility criteria.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eRoll storage:\u003c\/strong\u003e dry environment, stable temperature, no direct contact with floors or exterior walls. Do not crease.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eDo you have questions?\u003c\/strong\u003e Write us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we will advise you.\u003c\/p\u003e","brand":"Lascaux","offers":[{"title":"Default Title","offer_id":53022081909083,"sku":"4504","price":114.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/imgi_3_Lascaux_Portrait-Leinen_990_ecfbbacd-34bd-4470-9ab8-7dcab92589ab.jpg?v=1779188281"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/collections\/imgi_3_Lascaux_Portrait-Leinen_990_ecfbbacd-34bd-4470-9ab8-7dcab92589ab.jpg?v=1780266039","url":"https:\/\/innovart.art\/en\/collections\/celulosicos-tejidos-no-tejidos-restauracion.oembed","provider":"Innovart","version":"1.0","type":"link"}