{"title":"Acrylic","description":"","products":[{"product_id":"espatulas-de-acero-inoxidable-multiusos","title":"Multipurpose Stainless Steel Spatulas","description":"\u003cp\u003eThe \u003cstrong\u003eMulti-purpose Stainless Steel Spatulas\u003c\/strong\u003e are precision spatulas made of stainless steel, ideal for cleaning, application, modeling, or consolidation tasks in conservation and restoration processes. Each model offers a specific shape to adapt to different types of intervention: from confined spaces to large or delicate surfaces. They are durable tools, easy to clean, and resistant to solvents.\u003c\/p\u003e\n\u003ch3\u003eApplications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eCleaning, application, modeling, or consolidation in conservation and restoration\u003c\/li\u003e\n\n\u003cli\u003eWork in confined spaces, large or delicate surfaces\u003c\/li\u003e\n\n\u003cli\u003eReintegration and mechanical cleaning\u003c\/li\u003e\n\n\u003cli\u003eMixing fillers and applying stuccoes\u003c\/li\u003e\n\n\u003cli\u003eRestoration of paper or mural painting\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eDurable and easy-to-clean stainless steel\u003c\/li\u003e\n\n\u003cli\u003eResistant to solvents\u003c\/li\u003e\n\n\u003cli\u003eEach model with a specific shape for different types of intervention\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eIndividual Descriptions\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDouble concave\/flat spatula – 12.1 cm:\u003c\/strong\u003e designed for detailed work in small areas. Ideal for applying adhesives, cleaning delicate areas, or precisely removing material.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDouble flat\/lanceolate tip spatula – 16 cm:\u003c\/strong\u003e versatile combination for working with thin layers and accessing fissures or cracks. Useful for reintegration or mechanical cleaning.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDouble flat\/lanceolate tip spatula – 15 cm:\u003c\/strong\u003e shorter and more manageable version of the previous model, designed for greater manual control during prolonged interventions.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDouble thin\/angled tip spatula – 15 cm:\u003c\/strong\u003e stylized profile that facilitates intervention in overlapping layers, edges, or narrow areas.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDouble flat spatula – 15 cm:\u003c\/strong\u003e classic and functional. Ideal for mixing fillers, applying stuccoes, or handling pasty materials.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDouble sharp\/flat tip spatula – 11.5 cm:\u003c\/strong\u003e compact and precise. Recommended for fine mechanical cleaning or localized deposit removal.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDouble lanceolate\/flat spatula – 11.5 cm:\u003c\/strong\u003e allows combining scraping and smoothing movements. Very useful in paper or mural painting restoration.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHave questions?\u003c\/strong\u003e Message us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e, or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e, and we'll assist you.\u003c\/p\u003e","brand":"Innovart","offers":[{"title":"Concave and point · 12.1 cm (CC0011)","offer_id":51200583500123,"sku":null,"price":2.9,"currency_code":"EUR","in_stock":true},{"title":"Lanceolate and flat · 16 cm (CC0012)","offer_id":51200583532891,"sku":null,"price":2.9,"currency_code":"EUR","in_stock":true},{"title":"Angled point and flat · 15 cm (CC0013)","offer_id":51200583565659,"sku":null,"price":2.9,"currency_code":"EUR","in_stock":true},{"title":"Lanceolate and flat · 15 cm (CC0014)","offer_id":51200583598427,"sku":null,"price":2.9,"currency_code":"EUR","in_stock":true},{"title":"Double flat · 15 cm (CC0015)","offer_id":51200583631195,"sku":null,"price":2.9,"currency_code":"EUR","in_stock":true},{"title":"Angled point and flat · 11.5 cm (CC0016)","offer_id":51200583663963,"sku":null,"price":2.9,"currency_code":"EUR","in_stock":true},{"title":"Lanceolate and flat · 11.5 cm (CC0017)","offer_id":51200583696731,"sku":null,"price":2.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/PRODUCTOS_11.png?v=1755604771"},{"product_id":"paleta-de-madera-barnizada","title":"Varnished wooden palette","description":"\u003cp\u003eThe \u003cstrong\u003eInnovart Varnished Wooden Palette\u003c\/strong\u003e is made of fine-grain plywood and sealed with a water and oil-resistant protective layer, offering a durable, smooth, and pleasant-to-the-touch surface. Its ergonomic design with a thumbhole allows for a comfortable and firm grip. Available in three sizes.\u003c\/p\u003e\n\u003ch3\u003eApplications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eOil painting\u003c\/li\u003e\n\n\u003cli\u003eAcrylic\u003c\/li\u003e\n\n\u003cli\u003eGouache\u003c\/li\u003e\n\n\u003cli\u003eMixed media\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eDurable, smooth, and pleasant-to-the-touch surface\u003c\/li\u003e\n\n\u003cli\u003eErgonomic, lightweight design with comfortable grip hole\u003c\/li\u003e\n\n\u003cli\u003eSealed with protective varnish resistant to water, oils, and mild solvents\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e natural plywood sealed with protective varnish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFinish:\u003c\/strong\u003e fine polish with visible grain texture\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSurface:\u003c\/strong\u003e resistant to water, oils, and mild solvents\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eMaintenance:\u003c\/strong\u003e clean with a dry or slightly damp cloth; avoid aggressive solvents\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAvailable sizes:\u003c\/strong\u003e 20 × 30 cm (small), 24 × 30 cm (medium), 30 × 40 cm (large)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHave questions?\u003c\/strong\u003e Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we will advise you.\u003c\/p\u003e","brand":"Innovart","offers":[{"title":"Small (20×30 cm)","offer_id":51621768888667,"sku":null,"price":9.99,"currency_code":"EUR","in_stock":true},{"title":"Medium (24×30 cm)","offer_id":51621768921435,"sku":null,"price":14.99,"currency_code":"EUR","in_stock":true},{"title":"Large (30×40 cm)","offer_id":51621768954203,"sku":null,"price":18.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/197.png?v=1761584287"},{"product_id":"pincel-toray-redondo-mir-131","title":"MIR Toray Synthetic Round Brush Ref. 131 - Acrylic (No. 00-24)","description":"\u003ch2\u003eMIR Toray Round Brush Ref.131 — synthetic precision for acrylic\u003c\/h2\u003e\n\u003cp\u003eRound brush from the MIR Ref.131 series, with synthetic Toray fiber, long wooden handle and cupronickel ferrule. Made by Pinturas MIR (L'Hospitalet de Llobregat) since 1933. Toray fiber is synthetic, designed to imitate the structure of natural hair.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is it used for?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAcrylic painting: this is the use the manufacturer specifically labels for this Ref.131.\u003c\/li\u003e\n\u003cli\u003eRound-shape work: continuous line, outline and detail, as opposed to the flat stroke of a flat-shaped brush.\u003c\/li\u003e\n\u003cli\u003eWorkshops that need a wide range of thicknesses in a single series: 15 sizes, from #00 to #24.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose the Ref.131?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eToray fiber: a synthetic fiber designed to imitate the behavior of natural hair.\u003c\/li\u003e\n\u003cli\u003eLong handle: the series variant with a long handle, as opposed to the short handle of the Ref.130 — the manufacturer describes the handle as \"balanced for versatility of uses\".\u003c\/li\u003e\n\u003cli\u003eCupronickel ferrule and manufacturing by Pinturas MIR, a Spanish manufacturer of brushes and artistic paints since 1933.\u003c\/li\u003e\n\u003cli\u003eFull range of 15 sizes in the same reference, from #00 (fine detail) to #24 (broad stroke).\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePresentation and storage\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePresentation: \u003cstrong\u003eindividual brush, 15 sizes — #00, 0, 1, 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 22 and 24\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eSupplied with a factory plastic sleeve that protects the hair and ferrule during transport and storage prior to first use.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003ch3\u003eUse and care\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLabelled by the manufacturer for acrylic painting; if you plan to use it in another technique, we'll advise you.\u003c\/li\u003e\n\u003cli\u003eThe factory plastic sleeve protects the hair and ferrule until first use.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003ch3\u003eFrequently asked questions\u003c\/h3\u003e\n\u003cdiv class=\"innv-faq\"\u003e\n\u003cdetails\u003e\u003csummary\u003eIs the hair synthetic or natural?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eSynthetic: Toray fiber. It is not natural hair.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat exactly is Toray fiber?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eToray fiber is synthetic, designed to imitate the structure of natural hair.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat technique is this specific Ref.131 designed for?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThe manufacturer labels it for acrylic painting. If you plan to use it for watercolour or oil, ask us and we'll advise you.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eHow many sizes are there and which one should I choose?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003e15 real sizes, from #00 (very fine detail) to #24 (broad stroke). If you're unsure between two consecutive numbers, write to us and we'll guide you.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eDoes it hold up well to brush-cleaning solvents?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eToray polyester fiber withstands water, ethanol and white spirit.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eHow does it differ from the Ref.130, which we also sell?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eSame Toray hair. The Ref.131 has a long handle; the Ref.130 has a short handle and the manufacturer catalogs it for watercolor and decorative art.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eDoes it come with a protector, and does it need to be removed before use?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eYes, a factory plastic sleeve for the hair and ferrule. It is transport and warehouse protection: remove it before first use.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eDoes it need a safety data sheet or hazard pictograms?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eNo. It is a finished article (handle, ferrule and fiber), not a substance or chemical mixture, so it is not subject to a safety data sheet or pictograms.\u003c\/div\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\n\u003cp\u003e\u003cstrong\u003eHave any questions?\u003c\/strong\u003e Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we will advise you.\u003c\/p\u003e\n\n\u003cstyle\u003e.innv-faq{margin-top:8px;}.innv-faq details{border:1px solid #e5e2dc;border-radius:8px;margin:0 0 10px;background:#fff;}.innv-faq summary{cursor:pointer;list-style:none;padding:14px 46px 14px 16px;position:relative;font-weight:700;}.innv-faq summary::-webkit-details-marker{display:none;}.innv-faq summary::after{content:'+';position:absolute;right:16px;top:50%;transform:translateY(-50%);font-size:1.4em;line-height:1;color:#00494f;}.innv-faq details[open] summary::after{content:'\\2013';}.innv-faq details[open] summary{border-bottom:1px solid #efece6;}.innv-faq summary:hover{background:#faf8f5;}.innv-faq__a{padding:12px 16px 16px;margin:0;}\u003c\/style\u003e","brand":"MIR","offers":[{"title":"00","offer_id":51631813558619,"sku":"2031099","price":3.4,"currency_code":"EUR","in_stock":true},{"title":"0","offer_id":51630487503195,"sku":"2031009","price":3.4,"currency_code":"EUR","in_stock":true},{"title":"1","offer_id":51631813591387,"sku":"2031001","price":3.4,"currency_code":"EUR","in_stock":true},{"title":"2","offer_id":51631813624155,"sku":"2031002","price":3.56,"currency_code":"EUR","in_stock":true},{"title":"4","offer_id":51631813656923,"sku":"2031004","price":3.84,"currency_code":"EUR","in_stock":true},{"title":"6","offer_id":51631813689691,"sku":"2031006","price":4.22,"currency_code":"EUR","in_stock":true},{"title":"8","offer_id":51631813722459,"sku":"2031008","price":4.48,"currency_code":"EUR","in_stock":true},{"title":"10","offer_id":51631813755227,"sku":"2031010","price":5.41,"currency_code":"EUR","in_stock":true},{"title":"12","offer_id":51631813787995,"sku":"2031012","price":5.8,"currency_code":"EUR","in_stock":true},{"title":"14","offer_id":51631813820763,"sku":"2031014","price":6.56,"currency_code":"EUR","in_stock":true},{"title":"16","offer_id":53315353936219,"sku":"2031016","price":9.09,"currency_code":"EUR","in_stock":true},{"title":"18","offer_id":53315353968987,"sku":"2031018","price":10.44,"currency_code":"EUR","in_stock":true},{"title":"20","offer_id":53315354001755,"sku":"2031020","price":11.92,"currency_code":"EUR","in_stock":true},{"title":"22","offer_id":51631813853531,"sku":"2031022","price":13.85,"currency_code":"EUR","in_stock":true},{"title":"24","offer_id":53315354034523,"sku":"2031024","price":16.43,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/PRODUCTOS_a3173b43-ae28-4dfb-8443-2e1dd127f214.png?v=1761731194"},{"product_id":"pincel-toray-plano-mir-132","title":"MIR Flat Toray Synthetic Brush Ref. 132 - Acrylic and Restoration (No. 00-24)","description":"\u003ch2\u003eMIR Flat Toray Synthetic Brush Ref. 132 — soft fibre for watercolour and fine techniques\u003c\/h2\u003e\n\u003cp\u003eFlat brush with Toray synthetic fibre, manufactured by Pinturas MIR | Jaurena S.A. Toray fibre is synthetic and flexible, designed to imitate fine natural hair. It differs from Teijin, the other synthetic fibre in the MIR range (firmer, designed for dense paste): Toray is the choice when what's needed is softness of stroke, not body.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is it used for?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWatercolour and fine glazes, where the flexibility of the Toray fibre eases blending\u003c\/li\u003e\n\u003cli\u003eApplying tempera and gouache\u003c\/li\u003e\n\u003cli\u003eAcrylic paint, use declared by the manufacturer MIR\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose the Toray Ref. 132?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eToray synthetic fibre, flexible, designed to imitate fine natural hair\u003c\/li\u003e\n\u003cli\u003eCupronickel ferrule, anti-corrosive — construction typical of the MIR synthetic range\u003c\/li\u003e\n\u003cli\u003eFactory hair and ferrule protector, so the brush arrives and stays in shape without losing it\u003c\/li\u003e\n\u003cli\u003eCompared to the Teijin (\u003ca href=\"\/en\/products\/pincel-teijin-plano-mir-401\"\u003eRef. 401\u003c\/a\u003e), a firmer fibre for acrylic and thick oil paint, the Toray is the soft fibre of the range — according to the sector's usual classification, not an in-house test\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePresentation and storage\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePresentation: \u003cstrong\u003eflat brush, sold individually, in sizes from No. 00 to No. 24 (15 sizes)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eKeep the factory protector on when not in use: it keeps the fibre's shape\u003c\/li\u003e\n\u003cli\u003eShelf life: \u003cstrong\u003ereusable, no expiry date\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhich solvents it works with\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eToray polyester fiber withstands water, ethanol and white spirit.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003ch3\u003eFrequently asked questions\u003c\/h3\u003e\n\u003cdiv class=\"innv-faq\"\u003e\n\u003cdetails\u003e\u003csummary\u003eWhich size should I choose, from 00 to 24?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eGo by the size of the detail, not the size of the piece. Spot retouching and fine lines: 00-6. Medium work and glazes: 8-16. Broader fields within the piece: 18-24. If what you need is to varnish a large surface, this isn't it — that's the \u003ca href=\"\/en\/products\/paletina-toray-mir-700\"\u003eRef. 700 flat brush\u003c\/a\u003e.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eIs Toray the same as Teijin?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eNo. Toray is softer and more flexible: watercolour, glazes and fine techniques. Teijin (\u003ca href=\"\/en\/products\/pincel-teijin-plano-mir-401\"\u003eRef. 401\u003c\/a\u003e) is firmer, for moving dense paste in acrylic or thick oil. Choose by the density of what you're applying, not by the technique.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhich solvents does it withstand?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eToray polyester fiber withstands water, ethanol and white spirit.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eDoes it come with a hair protector?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eYes, a factory plastic protector for the hair and ferrule, to preserve its shape during transport and storage.\u003c\/div\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\n\u003cp\u003e\u003cstrong\u003eHave questions?\u003c\/strong\u003e Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e, or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we will advise you.\u003c\/p\u003e\n\n\u003cstyle\u003e.innv-faq{margin-top:8px;}.innv-faq details{border:1px solid #e5e2dc;border-radius:8px;margin:0 0 10px;background:#fff;}.innv-faq summary{cursor:pointer;list-style:none;padding:14px 46px 14px 16px;position:relative;font-weight:700;}.innv-faq summary::-webkit-details-marker{display:none;}.innv-faq summary::after{content:'+';position:absolute;right:16px;top:50%;transform:translateY(-50%);font-size:1.4em;line-height:1;color:#00494f;}.innv-faq details[open] summary::after{content:'\\2013';}.innv-faq details[open] summary{border-bottom:1px solid #efece6;}.innv-faq summary:hover{background:#faf8f5;}.innv-faq__a{padding:12px 16px 16px;margin:0;}\u003c\/style\u003e","brand":"MIR","offers":[{"title":"00","offer_id":51639181246811,"sku":"2032099","price":3.56,"currency_code":"EUR","in_stock":true},{"title":"0","offer_id":51639181279579,"sku":"2032009","price":3.7,"currency_code":"EUR","in_stock":true},{"title":"1","offer_id":51639181312347,"sku":"2032001","price":3.84,"currency_code":"EUR","in_stock":true},{"title":"2","offer_id":51639181345115,"sku":"2032002","price":4.36,"currency_code":"EUR","in_stock":true},{"title":"4","offer_id":51639181377883,"sku":"2032004","price":4.86,"currency_code":"EUR","in_stock":true},{"title":"6","offer_id":51639181410651,"sku":"2032006","price":4.86,"currency_code":"EUR","in_stock":true},{"title":"8","offer_id":51639181443419,"sku":"2032008","price":5.41,"currency_code":"EUR","in_stock":true},{"title":"10","offer_id":51639181476187,"sku":"2032010","price":5.52,"currency_code":"EUR","in_stock":true},{"title":"12","offer_id":51639181508955,"sku":"2032012","price":7.22,"currency_code":"EUR","in_stock":true},{"title":"14","offer_id":51639181541723,"sku":"2032014","price":8.13,"currency_code":"EUR","in_stock":true},{"title":"16","offer_id":51639181574491,"sku":"2032016","price":9.74,"currency_code":"EUR","in_stock":true},{"title":"18","offer_id":51639181607259,"sku":"2032018","price":10.06,"currency_code":"EUR","in_stock":true},{"title":"20","offer_id":51639181640027,"sku":"2032020","price":11.72,"currency_code":"EUR","in_stock":true},{"title":"22","offer_id":53315357671771,"sku":"2032022","price":13.2,"currency_code":"EUR","in_stock":true},{"title":"24","offer_id":53315357704539,"sku":"2032024","price":17.07,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/TODOS.png?v=1761757365"},{"product_id":"pincel-teijin-redondo-mir-400","title":"MIR Teijin Synthetic Round Brush Ref. 400 - Oil and Acrylic (Sizes 00-24)","description":"\u003ch2\u003eMIR Teijin Round Brush Ref. 400 — fine tip that recovers its shape stroke after stroke\u003c\/h2\u003e\n\u003cp\u003eRound brush with Teijin synthetic fiber, manufactured in Japan, with a cupronickel ferrule and a long varnished wood handle. Teijin fiber is a cone-drawn filament that mimics the behavior of natural hair, retaining its shape better after each stroke. It differs from the MIR natural hair range (Marta Roja Ref. 300, white bristle Ref. 110) in that it is synthetic: more stable against the high pH of acrylic paint.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is it used for?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eOil and acrylic painting, the two uses declared by manufacturer MIR.\u003c\/li\u003e\n\u003cli\u003eTempera and gouache: widespread use in specialized brush-making literature due to the good shape retention of Teijin fiber, not a claim made by MIR itself.\u003c\/li\u003e\n\u003cli\u003eDetail work and precision retouching: the fine round tip and the fiber's shape recovery make it suitable for lines and contours where control is needed.\u003c\/li\u003e\n\u003cli\u003eAvailable in 15 sizes (No. 00 to No. 24), from the finest tip to the highest load, to adapt the stroke to the format of the piece.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose the MIR Teijin Brush Ref. 400?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTeijin synthetic fiber: one of the two historic Japanese manufacturers of cone-drawn filament for brush-making, along with Toray.\u003c\/li\u003e\n\u003cli\u003eShape retention after use, a consistent quality across all the brush-making literature consulted — offered as a reasoned technical criterion, not as a test figure.\u003c\/li\u003e\n\u003cli\u003eStability against the high pH of acrylic paint: the industry moved from natural hair to synthetic fiber partly because the pH of acrylic paint degrades natural hair with repeated use.\u003c\/li\u003e\n\u003cli\u003eCupronickel ferrule, corrosion-resistant, across the entire MIR fine brush range.\u003c\/li\u003e\n\u003cli\u003e15 sizes within the same reference: lets you match the brush to the detail of each area without changing lines.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePackaging and storage\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePackaging: \u003cstrong\u003esingle unit, long handle, with a plastic protector for hair and ferrule included from the factory\u003c\/strong\u003e. Available sizes: No. 00, 0, 1, 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 22 and 24.\u003c\/li\u003e\n\u003cli\u003eKeep the plastic protector on when not in use; clean the fiber after each work session.\u003c\/li\u003e\n\u003cli\u003eService life: the manufacturer does not publish a figure. It depends on use and cleaning after each session.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eMIR is a Catalan brand of brushes and paint founded in 1933 in L'Hospitalet de Llobregat.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eWhen another brush suits better\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFor very heavily pigmented, thick glazes the MIR white bristle line Ref. 110 is preferable: it gives the stiffness and the load that dense paste calls for. The Teijin Ref. 400 performs better in thin layers and controlled strokes.\u003c\/li\u003e\n\u003cli\u003eWhen fine watercolor calls for maximum load capacity and a very soft release, natural hair leads: there the Marta Roja MIR Ref. 300 series is preferable, the line the manufacturer itself intends for watercolor and retouching.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFrequently asked questions\u003c\/h3\u003e\n\u003cdiv class=\"innv-faq\"\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat media can I use this brush with?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eOil and acrylic, according to manufacturer MIR. Brush-making literature also documents its use with tempera and gouache, although MIR does not declare this use for this specific model.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhy Teijin fiber and not natural hair?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eTeijin fiber is a cone-drawn synthetic filament that retains its shape better than natural hair after each stroke. In addition, the high pH of acrylic paint degrades natural hair with repeated use, one of the reasons brush-making shifted toward synthetic fibers like this one.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat is the difference with the MIR Teijin Flat Brush Ref. 401?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eSame Teijin fiber, same cupronickel ferrule and same long handle. Only the tip shape changes: round in the Ref. 400, flat in the Ref. 401. The round is better for lines and contours; the flat, for covering surface area and straight-edge strokes.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eIs it suitable for precision retouching?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThe fine round tip and the fiber's good shape recovery make it suitable for detail work. This is a technical criterion based on the shape and behavior of the fiber, not a specific recommendation from any Conservation-Restoration (C\u0026amp;R) institution for this model.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhich size should I choose for small detail work?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eLow numbers (00 to 4) give finer tips, designed for detail. High numbers (14 to 24) carry more fiber load, for larger surfaces.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eIs it suitable for heavily loaded glazes or fine watercolor?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eIt is not the ideal choice in either of these two cases. For heavily pigmented, thick glazes, the MIR white bristle line Ref. 110 is designed for that. For maximum load capacity and softness in fine watercolor, the natural-hair Marta Roja MIR Ref. 300 series is the manufacturer's own choice.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eIs it resistant to strong solvents such as acetone or turpentine?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThere is no data published by the manufacturer or by verifiable literature on this fiber's resistance to aggressive solvents, so nothing is claimed about it.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eHow is the brush cleaned and cared for?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThe manufacturer does not publish a specific cleaning protocol for this brush. It is recommended to clean the fiber after each session and keep the plastic protector on when not in use. Innovart sells a brush-cleaning shampoo from the same MIR brand as a maintenance accessory.\u003c\/div\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\n\u003cp\u003e\u003cstrong\u003eHave questions?\u003c\/strong\u003e Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e, or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we will advise you.\u003c\/p\u003e\n\n\u003cstyle\u003e.innv-faq{margin-top:8px;}.innv-faq details{border:1px solid #e5e2dc;border-radius:8px;margin:0 0 10px;background:#fff;}.innv-faq summary{cursor:pointer;list-style:none;padding:14px 46px 14px 16px;position:relative;font-weight:700;}.innv-faq summary::-webkit-details-marker{display:none;}.innv-faq summary::after{content:'+';position:absolute;right:16px;top:50%;transform:translateY(-50%);font-size:1.4em;line-height:1;color:#00494f;}.innv-faq details[open] summary::after{content:'\\2013';}.innv-faq details[open] summary{border-bottom:1px solid #efece6;}.innv-faq summary:hover{background:#faf8f5;}.innv-faq__a{padding:12px 16px 16px;margin:0;}\u003c\/style\u003e","brand":"MIR","offers":[{"title":"00","offer_id":53315357901147,"sku":"2040099","price":4.38,"currency_code":"EUR","in_stock":true},{"title":"0","offer_id":53315357933915,"sku":"2040009","price":4.51,"currency_code":"EUR","in_stock":true},{"title":"1","offer_id":53315357966683,"sku":"2040001","price":4.65,"currency_code":"EUR","in_stock":true},{"title":"2","offer_id":51652349624667,"sku":"2040002","price":4.77,"currency_code":"EUR","in_stock":true},{"title":"4","offer_id":53315357999451,"sku":"2040004","price":4.86,"currency_code":"EUR","in_stock":true},{"title":"6","offer_id":51652349657435,"sku":"2040006","price":5.41,"currency_code":"EUR","in_stock":true},{"title":"8","offer_id":53315358032219,"sku":"2040008","price":5.66,"currency_code":"EUR","in_stock":true},{"title":"10","offer_id":53315358064987,"sku":"2040010","price":7.05,"currency_code":"EUR","in_stock":true},{"title":"12","offer_id":51652349690203,"sku":"2040012","price":9.12,"currency_code":"EUR","in_stock":true},{"title":"14","offer_id":53315358097755,"sku":"2040014","price":9.64,"currency_code":"EUR","in_stock":true},{"title":"16","offer_id":53315358130523,"sku":"2040016","price":10.9,"currency_code":"EUR","in_stock":true},{"title":"18","offer_id":53315358163291,"sku":"2040018","price":12.52,"currency_code":"EUR","in_stock":true},{"title":"20","offer_id":53315358196059,"sku":"2040020","price":14.22,"currency_code":"EUR","in_stock":true},{"title":"22","offer_id":53315358228827,"sku":"2040022","price":15.13,"currency_code":"EUR","in_stock":true},{"title":"24","offer_id":53315358261595,"sku":"2040024","price":16.34,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/PRODUCTOS_17.png?v=1761998019"},{"product_id":"pincel-teijin-plano-mir-401","title":"MIR Teijin Synthetic Flat Brush Ref. 401 - Oil and Acrylic (No. 0-24)","description":"\u003ch2\u003eMIR Teijin Flat Brush Ref. 401 — synthetic precision for oil and acrylic\u003c\/h2\u003e\n\u003cp\u003eFlat brush with Teijin synthetic fiber, made by Pinturas MIR (L'Hospitalet\nde Llobregat), Spanish fine art paint house active since 1933. Teijin fiber is a\npolyester filament from Teijin Limited (Japan) that MIR mounts in this model; it\ndiffers from Toray fiber, present in other MIR brushes of the same shape, in the\nglide and paint loading described by specialized industry literature.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is it used for?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eOil and acrylic: the only two uses the manufacturer declares for this model.\u003c\/li\u003e\n\u003cli\u003eDue to its flat shape, it spreads paint in wide, even layers — a technical shape\ncriterion, not manufacturer data about a specific support or technique.\u003c\/li\u003e\n\u003cli\u003eAccording to specialized industry literature, the loading and glide of Teijin fiber\nfavor glazes and medium-to-thick oil layers compared with Toray fiber — a relative\ncomparison between fibers, not a measured fact.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose the MIR Teijin Flat Brush 401?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMade by Pinturas MIR, Spanish fine art paint house with a history since 1933,\nspecialized in fine arts and restoration.\u003c\/li\u003e\n\u003cli\u003eSynthetic Teijin fiber, solvent-resistant according to specialized industry\nliterature — suitable for working with varnishes and solvent-based media.\u003c\/li\u003e\n\u003cli\u003eCupronickel ferrule, corrosion-resistant, and varnished wood handle.\u003c\/li\u003e\n\u003cli\u003eIncludes factory plastic protector for hair and ferrule, which prevents\ndeformation during transport and storage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePresentation and storage\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePresentation: \u003cstrong\u003e13 individual sizes, from No. 0 to No. 24, and a pack of 3\n(Nos. 2, 6 and 12)\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eStore with the factory-included plastic protector for hair and ferrule when not\nin use.\u003c\/li\u003e\n\u003cli\u003eShelf life: \u003cstrong\u003enot declared by the manufacturer\u003c\/strong\u003e. It is recommended\nto clean the brush after each use with a specific brush-cleaning shampoo to extend\nits lifespan.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eThe limits, stated\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eNot the best option for \u003cstrong\u003echromatic reintegration or precision\nretouching\u003c\/strong\u003e: its flat shape spreads a wide layer, without a fine point. For\nthat task, the catalog has the \u003ca href=\"\/en\/products\/pincel-teijin-redondo-mir-400\"\u003eMIR\nTeijin Round Brush Ref. 400\u003c\/a\u003e, with the same fiber and a round tip.\u003c\/li\u003e\n\u003cli\u003eNo manufacturer data on resistance to a specific solvent — for example acetone:\nthis compatibility is not claimed, although it does resist solvents in general\naccording to market literature.\u003c\/li\u003e\n\u003cli\u003eThe manufacturer does not declare a shelf life in number of uses or years:\ndurability depends on care and cleaning after each use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFrequently asked questions\u003c\/h3\u003e\n\u003cdiv class=\"innv-faq\"\u003e\n\u003cdetails\u003e\u003csummary\u003eDoes it work for varnishing the finished piece?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eYes: its flat shape spreads varnish in wide, even layers, and Teijin fiber is solvent-resistant according to specialized industry literature. This is not a use the manufacturer expressly declares for this model, but it is supported by the technical criterion of shape and fiber.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eDoes it work for chromatic reintegration or precision retouching?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eNot the best option. The flat shape spreads a wide layer and offers no tip for detail work. For that task, the catalog has the \u003ca href=\"\/en\/products\/pincel-teijin-redondo-mir-400\"\u003eMIR Teijin Round Brush Ref. 400\u003c\/a\u003e, with the same fiber and a round tip.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat is the difference with the Toray fiber of other MIR brushes?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eAccording to industry literature, Teijin fiber is geared toward detail techniques and glazes in thicker media, while Toray offers a more uniform glide in layers — with no standardized test measuring the difference. For comparison, the \u003ca href=\"\/en\/products\/pincel-toray-plano-mir-132\"\u003eMIR Toray Flat Brush Ref. 132\u003c\/a\u003e has the same flat shape with the other fiber.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eDoes it withstand strong solvents like acetone?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThere is no manufacturer data on a specific solvent. Market literature indicates that Teijin fiber generally resists solvents well, but its behavior against acetone specifically cannot be confirmed.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat do you clean it with?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eWith \u003ca href=\"\/en\/products\/champu-limpiapinceles-mir\"\u003eMIR brush-cleaning shampoo\u003c\/a\u003e, designed by the manufacturer itself to extend the life of its synthetic-fiber brushes.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat sizes are available?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003e13 individual sizes, from No. 0 to No. 24, and a pack of 3 (Nos. 2, 6 and 12).\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat are the handle and ferrule made of?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eVarnished wood handle and corrosion-resistant cupronickel ferrule — manufacturer data.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eIs it a natural-hair or synthetic brush?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eSynthetic: Teijin fiber, from Teijin Limited (Japan), mounted by Pinturas MIR.\u003c\/div\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\n\u003cp\u003e\u003cstrong\u003eDo you have any questions?\u003c\/strong\u003e Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we will advise you.\u003c\/p\u003e\n\n\u003cstyle\u003e.innv-faq{margin-top:8px;}.innv-faq details{border:1px solid #e5e2dc;border-radius:8px;margin:0 0 10px;background:#fff;}.innv-faq summary{cursor:pointer;list-style:none;padding:14px 46px 14px 16px;position:relative;font-weight:700;}.innv-faq summary::-webkit-details-marker{display:none;}.innv-faq summary::after{content:'+';position:absolute;right:16px;top:50%;transform:translateY(-50%);font-size:1.4em;line-height:1;color:#00494f;}.innv-faq details[open] summary::after{content:'\\2013';}.innv-faq details[open] summary{border-bottom:1px solid #efece6;}.innv-faq summary:hover{background:#faf8f5;}.innv-faq__a{padding:12px 16px 16px;margin:0;}\u003c\/style\u003e","brand":"MIR","offers":[{"title":"0","offer_id":53315359310171,"sku":"2041009","price":4.72,"currency_code":"EUR","in_stock":true},{"title":"1","offer_id":53315359342939,"sku":"2041001","price":4.72,"currency_code":"EUR","in_stock":true},{"title":"2","offer_id":51652852875611,"sku":"2041002","price":4.92,"currency_code":"EUR","in_stock":true},{"title":"4","offer_id":53315359375707,"sku":"2041004","price":5.12,"currency_code":"EUR","in_stock":true},{"title":"6","offer_id":51652852908379,"sku":"2041006","price":5.12,"currency_code":"EUR","in_stock":true},{"title":"8","offer_id":53315359408475,"sku":"2041008","price":6.06,"currency_code":"EUR","in_stock":true},{"title":"10","offer_id":53315359441243,"sku":"2041010","price":7.57,"currency_code":"EUR","in_stock":true},{"title":"12","offer_id":51652852941147,"sku":"2041012","price":9.93,"currency_code":"EUR","in_stock":true},{"title":"14","offer_id":53315359474011,"sku":"2041014","price":10.16,"currency_code":"EUR","in_stock":true},{"title":"16","offer_id":53315359506779,"sku":"2041016","price":11.51,"currency_code":"EUR","in_stock":true},{"title":"18","offer_id":53315359539547,"sku":"2041018","price":12.33,"currency_code":"EUR","in_stock":true},{"title":"22","offer_id":53315359572315,"sku":"2041022","price":14.76,"currency_code":"EUR","in_stock":true},{"title":"24","offer_id":53315359605083,"sku":"2041024","price":15.58,"currency_code":"EUR","in_stock":true},{"title":"Pack (Nº2, 6, 12)","offer_id":52386417607003,"sku":"pack 401","price":11.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/portada.png?v=1761942871"},{"product_id":"pincel-toray-redondo-acuarela-mir-130","title":"MIR Synthetic Toray Round Brush Ref. 130 - Watercolor and Crafts (Size 10\/0-24)","description":"\u003ch2\u003eMIR Toray Round Watercolor Brush Ref. 130 — precision synthetic fiber\u003c\/h2\u003e\n\u003cp\u003eRound brush made of synthetic Toray fiber, manufactured by Pinturas MIR. The manufacturer states it for \u003cstrong\u003ewatercolor and decorative art\u003c\/strong\u003e. In Conservation-Restoration (C\u0026amp;R) it is used for precision work thanks to its fine tip and its availability in 19 sizes — a widespread practice in the sector, not a specification MIR makes for this particular product.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is it used for?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWatercolor work, the use stated by the manufacturer itself\u003c\/li\u003e\n\u003cli\u003eDetail and decorative art, according to MIR's data sheet\u003c\/li\u003e\n\u003cli\u003ePrecision color retouching in C\u0026amp;R — a widespread sector practice with this type of fiber, not a use MIR names for this specific product\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose the Ref. 130?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e19 sizes available, from 10\/0 to 24, to find the exact working size without switching ranges\u003c\/li\u003e\n\u003cli\u003eCupronickel ferrule and compressed wood handle, with factory protector on the hair and ferrule\u003c\/li\u003e\n\u003cli\u003eCatalog criterion, not price: if the job requires maximum water retention, our \u003ca href=\"\/en\/products\/pincel-marta-roja-redondo-mir-300\"\u003eRef. 300 in red sable\u003c\/a\u003e offers the natural-hair alternative\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePresentation and storage\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePresentation: \u003cstrong\u003esingle unit, by size (10\/0 to 24)\u003c\/strong\u003e, with factory protective plastic on the hair and ferrule\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eThe limits, stated plainly\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThe manufacturer states the use for watercolor and decorative art, not restoration: if you use it for color retouching, it is by widespread sector criterion, not by MIR specification\u003c\/li\u003e\n\u003cli\u003eNo resistance to aggressive solvents (acetone, xylene) documented by the manufacturer: if you apply varnishes or mixtures with strong solvent, test first on a non-visible area rather than assuming it is safe\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFrequently asked questions\u003c\/h3\u003e\n\u003cdiv class=\"innv-faq\"\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat is this brush's hair made of?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eSynthetic Toray fiber, the one MIR uses in its Ref. 130 series. Not natural hair.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat sizes are available?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003e19 sizes, from 10\/0 (the finest) to 24 (the thickest).\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eIs it suitable for color retouching in restoration?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThe manufacturer states it for watercolor and decorative art, without naming restoration. In C\u0026amp;R it is used for precision work by sector custom, not because MIR specifies it for this product.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eIs it the same as the \u003ca href=\"\/en\/products\/pincel-toray-redondo-mir-131\"\u003eRef. 131\u003c\/a\u003e?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eNo. They share the Toray fiber and the round shape, but the Ref. 131 is sold in 15 sizes versus the 19 of the Ref. 130.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat material is the ferrule?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eCupronickel, according to the manufacturer's data sheet.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat is the difference with the Teijin fiber of the \u003ca href=\"\/en\/products\/pincel-teijin-redondo-mir-400\"\u003eRef. 400\u003c\/a\u003e?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThey are different synthetic fibers within MIR's catalog. The manufacturer does not publish a performance comparison between the two, so the choice is guided by catalog range and texture, not by a comparative data sheet.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhich one should I choose if I need more water retention?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThe \u003ca href=\"\/en\/products\/pincel-marta-roja-redondo-mir-300\"\u003eRef. 300 in natural red sable hair\u003c\/a\u003e, which in our catalog we associate with greater water retention and elastic tip recovery. Not a comparison made by MIR, it is our own catalog criterion.\u003c\/div\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\n\u003cp\u003e\u003cstrong\u003eHave questions?\u003c\/strong\u003e Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e or write to us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we will advise you.\u003c\/p\u003e\n\n\u003cstyle\u003e.innv-faq{margin-top:8px;}.innv-faq details{border:1px solid #e5e2dc;border-radius:8px;margin:0 0 10px;background:#fff;}.innv-faq summary{cursor:pointer;list-style:none;padding:14px 46px 14px 16px;position:relative;font-weight:700;}.innv-faq summary::-webkit-details-marker{display:none;}.innv-faq summary::after{content:'+';position:absolute;right:16px;top:50%;transform:translateY(-50%);font-size:1.4em;line-height:1;color:#00494f;}.innv-faq details[open] summary::after{content:'\\2013';}.innv-faq details[open] summary{border-bottom:1px solid #efece6;}.innv-faq summary:hover{background:#faf8f5;}.innv-faq__a{padding:12px 16px 16px;margin:0;}\u003c\/style\u003e","brand":"MIR","offers":[{"title":"10\/0","offer_id":53315361735003,"sku":"2030100","price":3.16,"currency_code":"EUR","in_stock":true},{"title":"5\/0","offer_id":51661120995675,"sku":"2030050","price":3.16,"currency_code":"EUR","in_stock":true},{"title":"4\/0","offer_id":53315361767771,"sku":"2030040","price":3.16,"currency_code":"EUR","in_stock":true},{"title":"000","offer_id":51661121028443,"sku":"2030999","price":3.28,"currency_code":"EUR","in_stock":true},{"title":"00","offer_id":53315361800539,"sku":"2030099","price":3.28,"currency_code":"EUR","in_stock":true},{"title":"0","offer_id":53315361833307,"sku":"2030009","price":3.28,"currency_code":"EUR","in_stock":true},{"title":"1","offer_id":53315361866075,"sku":"2030001","price":3.28,"currency_code":"EUR","in_stock":true},{"title":"2","offer_id":51661121061211,"sku":"2030002","price":3.4,"currency_code":"EUR","in_stock":true},{"title":"4","offer_id":53315361898843,"sku":"2030004","price":3.56,"currency_code":"EUR","in_stock":true},{"title":"6","offer_id":51661121093979,"sku":"2030006","price":4.07,"currency_code":"EUR","in_stock":true},{"title":"8","offer_id":53315361931611,"sku":"2030008","price":4.36,"currency_code":"EUR","in_stock":true},{"title":"10","offer_id":51661121126747,"sku":"2030010","price":5.38,"currency_code":"EUR","in_stock":true},{"title":"12","offer_id":53315361964379,"sku":"2030012","price":5.95,"currency_code":"EUR","in_stock":true},{"title":"14","offer_id":53315361997147,"sku":"2030014","price":7.89,"currency_code":"EUR","in_stock":true},{"title":"16","offer_id":53315362029915,"sku":"2030016","price":11.07,"currency_code":"EUR","in_stock":true},{"title":"18","offer_id":53315362062683,"sku":"2030018","price":11.6,"currency_code":"EUR","in_stock":true},{"title":"20","offer_id":53315362095451,"sku":"2030020","price":12.2,"currency_code":"EUR","in_stock":true},{"title":"22","offer_id":53315362128219,"sku":"2030022","price":13.54,"currency_code":"EUR","in_stock":true},{"title":"24","offer_id":53315362160987,"sku":"2030024","price":15.11,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/portada_f4253337-8d82-43d8-af65-82bf6bbb7a02.png?v=1762024054"},{"product_id":"pincel-abanico-toray-mir-133","title":"MIR Synthetic Toray Fan Brush Ref. 133 - Watercolor and Crafts (No. 4-12)","description":"\u003cp\u003eThe \u003cstrong\u003eMIR Series 133 Fan\u003c\/strong\u003e is a brush designed for achieving smooth transitions, controlled blending, and texture effects in aqueous techniques. Its \u003cstrong\u003epremium synthetic Toray fiber\u003c\/strong\u003e offers an elastic, uniform, and durable response, maintaining control even in broad strokes and lateral movements. The long, balanced, and comfortable wooden handle allows working at a distance from the surface.\u003c\/p\u003e\u003ch3\u003eApplications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWatercolor and Aqueous Techniques:\u003c\/strong\u003e broad blending and smooth transitions, glazes and atmospheric effects, sweeping and controlled textures, gestural work at medium distance thanks to the long handle\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eGilding and Related Works:\u003c\/strong\u003e removing excess gold leaf without scratching the surface, evening out metallic powder or mica in decorative effects, creating soft patinas and aged finishes, applying very diluted mixtions or varnishes without leaving marks\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eFeatures\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003eElastic, uniform, and durable synthetic Toray fiber\u003c\/li\u003e\n\n\u003cli\u003eBalanced long wooden handle for gestural work at medium distance\u003c\/li\u003e\n\n\u003cli\u003eNickel-plated ferrule for solid hair retention and resistance to prolonged use\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eHave questions?\u003c\/strong\u003e Write to us via \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we will advise you.\u003c\/p\u003e","brand":"MIR","offers":[{"title":"4","offer_id":53325770031451,"sku":"2033004","price":6.96,"currency_code":"EUR","in_stock":true},{"title":"6","offer_id":53325770064219,"sku":"2033006","price":8.34,"currency_code":"EUR","in_stock":true},{"title":"8","offer_id":53325770096987,"sku":"2033008","price":8.72,"currency_code":"EUR","in_stock":true},{"title":"10","offer_id":53325770129755,"sku":"2033010","price":9.96,"currency_code":"EUR","in_stock":true},{"title":"12","offer_id":53325770162523,"sku":"2033012","price":11.31,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/2033006_1.jpg?v=1763485333"},{"product_id":"paletina-toray-mir-700","title":"Toray Synthetic MIR Series 700 Flat Brush - Varnishing and Restoration (No. 25-80)","description":"\u003ch2\u003eToray MIR 700 Flat Brush — synthetic fiber for varnishing large surfaces\u003c\/h2\u003e\n\u003cp\u003eFlat brush made of synthetic \u003cstrong\u003eToray\u003c\/strong\u003e fiber, manufactured by \u003cstrong\u003ePinturas MIR\u003c\/strong\u003e (Hospitalet de Llobregat,\nsince 1933). Long varnished wooden handle and metal ferrule. It differs from a\ndetail brush in its size: numbering \u003cstrong\u003eNo. 25 to No. 80\u003c\/strong\u003e, a wide format\ndesigned to cover large surfaces in one go, not for fine work.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is it used for?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eApplying varnishes and finishes in restoration work.\u003c\/li\u003e\n\u003cli\u003eVarnishing large surfaces and continuous coats, thanks to the brush's wide format.\u003c\/li\u003e\n\u003cli\u003eGeneral fine arts work, beyond varnishing, according to MIR's spec sheet.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose the Toray MIR 700 Flat Brush?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eToray synthetic fiber: developed as a substitute for natural hair in fine brushmaking, it is not animal hair.\u003c\/li\u003e\n\u003cli\u003eWide format (No. 25-80) designed for large surfaces, versus the fine brushes of size 00-24 designed for detail work.\u003c\/li\u003e\n\u003cli\u003eSpanish manufacturer with a track record in fine arts and restoration materials since 1933.\u003c\/li\u003e\n\u003cli\u003eSame synthetic fiber criterion recommended by conservation literature for varnishing brushes: a dense fiber that holds its shape well with use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePresentation and storage\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePresentation: \u003cstrong\u003eindividual flat brush, sizes No. 25, 40, 60, 70 and 80\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eIncludes a factory plastic protector to keep the fiber's shape during transport and before first use.\u003c\/li\u003e\n\u003cli\u003eCleaning after use: with the solvent matching the varnish applied, or with water if the medium is water-based.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eThe limits, stated\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eIt is not the reference for detail work or color retouching — the wide format (25-80) is designed for large surfaces; for a fine size of the same Toray fiber, there is the \u003ca href=\"\/en\/products\/pincel-toray-plano-mir-132\"\u003eRef. 132\u003c\/a\u003e, and for color retouching the brand points to the \u003ca href=\"\/en\/products\/pincel-teijin-plano-mir-401\"\u003eRef. 401 in Teijin fiber\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003eMIR does not specify an application surface (canvas, panel, paper): use it with the same judgement you already apply when choosing a varnish for your surface, not as a manufacturer guarantee of compatibility.\u003c\/li\u003e\n\u003cli\u003eMIR does not publish a service life or a number of uses before the fiber loses its shape: durability depends on care and frequency of use, with no official figure to give you.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFrequently asked questions\u003c\/h3\u003e\n\u003cdiv class=\"innv-faq\"\u003e\n\u003cdetails\u003e\u003csummary\u003eWhich size should I choose, from 25 to 80?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThe number is the fiber width in millimetres: No. 25 is 2.5 cm wide, up to 8 cm for No. 80. Choose by the width of the area, not the size of the piece: sections, edges and mouldings with 25-40; panels and large canvases in continuous strokes with 60-80. Between two, the larger one that fits without straying.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat's the difference with the Toray Ref. 132 brush you also sell?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThe same synthetic Toray fiber, but a different size: this Ref. 700 is a wide flat brush (No. 25-80) for varnishing large surfaces, and the Ref. 132 is a fine brush (No. 00-24) for detail work and painting.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eIs it natural or synthetic fiber?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eSynthetic: Toray fiber, not natural hair.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat do you clean it with after using it with solvent-based varnish?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eWith the solvent matching the varnish applied; with water if the medium used is water-based.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eDoes it come with fiber protection?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eYes, a factory plastic protector that keeps the fiber's shape during transport and before first use.\u003c\/div\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\n\u003cp\u003e\u003cstrong\u003eHave questions?\u003c\/strong\u003e Write to us via \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we'll advise you.\u003c\/p\u003e\n\n\u003cstyle\u003e.innv-faq{margin-top:8px;}.innv-faq details{border:1px solid #e5e2dc;border-radius:8px;margin:0 0 10px;background:#fff;}.innv-faq summary{cursor:pointer;list-style:none;padding:14px 46px 14px 16px;position:relative;font-weight:700;}.innv-faq summary::-webkit-details-marker{display:none;}.innv-faq summary::after{content:'+';position:absolute;right:16px;top:50%;transform:translateY(-50%);font-size:1.4em;line-height:1;color:#00494f;}.innv-faq details[open] summary::after{content:'\\2013';}.innv-faq details[open] summary{border-bottom:1px solid #efece6;}.innv-faq summary:hover{background:#faf8f5;}.innv-faq__a{padding:12px 16px 16px;margin:0;}\u003c\/style\u003e","brand":"MIR","offers":[{"title":"25","offer_id":51761862345051,"sku":"2070025","price":4.51,"currency_code":"EUR","in_stock":true},{"title":"40","offer_id":53315362521435,"sku":"2070040","price":7.32,"currency_code":"EUR","in_stock":true},{"title":"60","offer_id":51761862377819,"sku":"2070060","price":10.97,"currency_code":"EUR","in_stock":true},{"title":"70","offer_id":53315362554203,"sku":"2070070","price":14.22,"currency_code":"EUR","in_stock":true},{"title":"80","offer_id":53315362586971,"sku":"2070080","price":15.58,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/paletina-mir-700-toray-barniz-restauracion.jpg?v=1765882247"},{"product_id":"pack-de-3-espatulas-12-42-y-70","title":"Pack of 3 MIR Spatulas - Steel and Wooden Handle (No. 12, 42, 70)","description":"\u003cp\u003eThe \u003cstrong\u003eofficial JAURENA ART pack\u003c\/strong\u003e brings together three spatulas selected to cover everything from the finest work to the application of mediums and mixtures in large formats. The blades are made of flexible and resistant steel, designed to respond with precision in both restoration and contemporary painting techniques. The varnished wooden handle offers a good grip and the metal mounting is firm, for prolonged use in the workshop.\u003c\/p\u003e\u003ch3\u003eApplications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eRestoration:\u003c\/strong\u003e fine stucco, application of putties, controlled mechanical cleaning, chromatic reintegration and leveling of layers\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFine arts:\u003c\/strong\u003e oil, acrylic, mixed media, textures, quick palette mixes and palette knife effects\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSculpture and modeling:\u003c\/strong\u003e handling small amounts of material without blade collapse\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNo. 12 – Long blade:\u003c\/strong\u003e for spreading thin layers, applying gesso, preparing bases, leveling fillers or working large areas without harsh marks\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNo. 42 – Diamond shape:\u003c\/strong\u003e for clean cuts, small modeling, controlled touch-ups and precise application of mortars or putties\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNo. 70 – Small tip:\u003c\/strong\u003e for tiny details, punctual reintegration, small color mixes and work in delicate areas\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eBlades:\u003c\/strong\u003e flexible and resistant steel\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eHandle:\u003c\/strong\u003e varnished wood with firm metal mounting\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eHave questions?\u003c\/strong\u003e Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e or write to us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we will advise you.\u003c\/p\u003e","brand":"MIR","offers":[{"title":"Default Title","offer_id":51761958682971,"sku":"2390001","price":10.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/2390001.jpg?v=1763489245"},{"product_id":"set-de-6-pinceles-faber-castell-3-redondos-y-3-planos","title":"Faber-Castell 6-Piece Brush Set - 3 Round and 3 Flat","description":"\u003cp\u003e The \u003cstrong\u003eFaber-Castell 6-Piece Brush Set\u003c\/strong\u003e is the perfect collection for artists working with different painting techniques. This blister pack includes 3 high-quality round brushes and 3 high-quality flat brushes to cover all your creative needs.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eSet contents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e 3 round brushes (sizes 2, 6, 10): ideal for acrylic and watercolor painting\u003c\/li\u003e\n\n\u003cli\u003e 3 flat brushes (sizes 6, 10, 14): ideal for acrylic and oil painting\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e \u003cstrong\u003eMain features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Soft and durable synthetic bristles\u003c\/li\u003e\n\n\u003cli\u003e They do not shed hairs during use\u003c\/li\u003e\n\n\u003cli\u003e They hold paint exceptionally well\u003c\/li\u003e\n\n\u003cli\u003e Versatility for multiple techniques: acrylic, oil and watercolor\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e \u003cstrong\u003eBenefits:\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThis versatile set allows you to work with different techniques and styles. The round brushes are perfect for details, lines, and precise strokes, while the flat brushes are ideal for covering large areas, creating broad strokes, and working with oil and acrylic techniques.\u003c\/p\u003e\n\u003cp\u003e The high-quality synthetic bristles guarantee durability and exceptional performance, maintaining their shape and without shedding hairs that could ruin your work.\u003c\/p\u003e\n\u003cp\u003e Perfect for beginner and experienced artists, art students and painting enthusiasts.\u003c\/p\u003e","brand":"Faber-Castell","offers":[{"title":"Default Title","offer_id":52143826239835,"sku":"282891","price":15.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/imgi_30_282891_10_PM1.webp?v=1769880046"},{"product_id":"edding-bloc-para-acrilico-y-oleo-a3-blanco-300-g-m-30010","title":"Edding A3 White Acrylic and Oil Painting Pad (300 g\/m²) - 30010","description":"\u003cp\u003e \u003cstrong\u003ePad of 10 sheets of A3 white paper for acrylic and oil (300 g\/m²)\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Unique paper quality specially adapted for the properties of edding acrylic markers\u003c\/li\u003e\n\n\u003cli\u003e A unique embossed print on fine linen, reminiscent of canvas texture. The paper's special properties, combined with those of a perfect paint, enhance color vibrancy and offer excellent absorption.\u003c\/li\u003e\n\n\u003cli\u003e The thick paper is acid-free and resistant to aging according to ISO 9706\u003c\/li\u003e\n\n\u003cli\u003e Dust and dirt do not adhere to the paper thanks to the special surface treatment\u003c\/li\u003e\n\n\u003cli\u003e Sheets are easy to remove thanks to single-sided adhesion.\u003c\/li\u003e\n\n\u003cli\u003e High-quality brand-name product manufactured in Germany\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cstrong\u003eSpecs:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Dimensions: A3 (295 x 420 mm)\u003c\/li\u003e\n\n\u003cli\u003e Weight: 300 g\/m²\u003c\/li\u003e\n\n\u003cli\u003e Thickness: 0.385 mm\u003c\/li\u003e\n\n\u003cli\u003e 10 sheets per pad\u003c\/li\u003e\n\n\u003cli\u003e Fine linen structure\u003c\/li\u003e\n\n\u003cli\u003e Alcohol and acid free\u003c\/li\u003e\n\n\u003cli\u003e Matte finish\u003c\/li\u003e\n\n\u003cli\u003e FSC Mix Certification\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"edding","offers":[{"title":"Default Title","offer_id":52147672056155,"sku":"4-30010-A3","price":19.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/imgi_1_00106674264459____2__1200x1200_82176de4-06fe-4aef-906d-ee59b5f23840.jpg?v=1769961607"},{"product_id":"edding-30010-bloc-para-pintura-acrilica-y-al-oleo-a4-blanco","title":"Edding Pad for Acrylic and Oil A4 white (300 g\/m²) - 30010","description":"\u003ch3\u003e Pad of sheets for acrylic and oil painting - Thick, canvas-like, acid-free paper (300 g\/m²)\u003c\/h3\u003e\n\u003cp\u003e edding's acrylic and oil painting pads are the ideal tool for any professional or amateur artist who wants to work on paper. The high-quality paper is characterized by its silky, canvas-like texture, which maintains the natural feel of paper and ensures bold contrasts and bright, coordinated colors.\u003c\/p\u003e \u003cp\u003eThe paper in edding's acrylic and oil painting pads is acid-free, so you can be sure your work will last a long time. Its texture, absorbency, and weight (300 g\/m²) combine to make edding acrylic painting pads the perfect base for any acrylic or oil painting technique. It perfectly complements the entire range of edding acrylics.\u003c\/p\u003e\n\u003ch4\u003e Main features:\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003e Pad of sheets for acrylic and oil painting with thick white paper sheets (300 g\/m²)\u003c\/li\u003e\n\n\u003cli\u003e Unique paper quality specially adapted to the properties of edding acrylic products\u003c\/li\u003e\n\n\u003cli\u003e Exclusive fine linen print reminiscent of canvas structure\u003c\/li\u003e\n\n\u003cli\u003e Excellent absorption capacity and color brilliance\u003c\/li\u003e\n\n\u003cli\u003e The thick paper is acid-free and resistant to aging according to ISO 9706.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch4\u003e Benefits:\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003e The paper is less prone to dust and dirt thanks to a special surface treatment.\u003c\/li\u003e\n\n \u003cli\u003eThe single-sided adhesive binding allows for quick and clean page removal\u003c\/li\u003e\n\n\u003cli\u003e High-quality brand-name product\u003c\/li\u003e\n\n\u003cli\u003e Made in Germany\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"edding","offers":[{"title":"Default Title","offer_id":52147776618843,"sku":"4-30010-A4","price":12.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/imgi_2_00106674264467____4__1200x1200_091708a0-0393-43ea-ba00-4e6f4191f6c6.jpg?v=1769962044"},{"product_id":"lascaux-modelling-paste-a","title":"Lascaux Modelling Paste A – Modeling Paste for Painting and Restoration","description":"\u003ch2\u003eLascaux Modelling Paste A — the fine-grain modelling paste, the one that dries smooth\u003c\/h2\u003e\n\u003cp\u003eModelling Paste A is a \u003cstrong\u003ethickened, pure acrylic resin dispersion, filled with finely ground, high-quality calcite\u003c\/strong\u003e. It is the \u003cstrong\u003efine-grain\u003c\/strong\u003e paste in the family: it dries to form a smooth surface. B and C also contain quartz sand and dry rough and very rough, respectively. It comes opaque and ready to use: applied undiluted, in any final thickness.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is it used for?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFilling out an impasto\u003c\/strong\u003e — replacing the body of the paint layer where it is missing, to level the relief.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFilling out a relief\u003c\/strong\u003e — restoring lost volume on a surface worked in relief.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFresco\u003c\/strong\u003e — completing fresco plaster, and preparing fresco-like textured grounds or substrates.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFilling cracks with a spatula.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eImpasto and paste painting\u003c\/strong\u003e — gives body to the paint and increases its volume.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCollage and mosaic\u003c\/strong\u003e — embedding materials in the paste.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eThese are the uses described by the manufacturer. For any other support or situation, see below the manufacturer's own instruction on prior suitability testing.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eWhy choose Modelling Paste A?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe only one of the three that dries smooth\u003c\/strong\u003e — A smooth · B rough · C very rough. That is the criterion when the surface to be levelled is smooth.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA certain amount of shrinkage on drying, without cracking.\u003c\/strong\u003e As it dries, a certain amount of shrinkage occurs due to water evaporation, \u003cstrong\u003ewith no crack formation\u003c\/strong\u003e, even in thick layers.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOpaque and ready to use.\u003c\/strong\u003e Applied undiluted, in the thickness the work requires — respecting the limit of 1 cm per pass.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHard elastic, with strong adhesion, and water resistant once dry.\u003c\/strong\u003e Dried layers can be covered with more paste or painted over with acrylics.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDocumented manufacturing and labelling.\u003c\/strong\u003e Manufactured by Lascaux Colours \u0026amp; Restauro (Barbara Diethelm AG, Brüttisellen, Switzerland), which declares conformity with \u003cstrong\u003eASTM D-4236\u003c\/strong\u003e, the US standard for labelling chronic hazards in art materials. It is a \u003cem\u003elabelling\u003c\/em\u003e standard, not a certificate of safety: handling precautions remain those in the safety information block.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHow to use — the manufacturer's figures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eUndiluted.\u003c\/strong\u003e Used as is, in any final thickness.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNever more than 1 cm per pass\u003c\/strong\u003e, so that drying does not take longer. Already-dried layers can be covered with more paste or painted over with acrylics.\u003c\/li\u003e\n\u003cli\u003eIt can be added to \u003cstrong\u003eLascaux acrylic colours in any proportion\u003c\/strong\u003e. Mixed with them, the Natural version \u003cstrong\u003elightens the tone slightly\u003c\/strong\u003e, due to its low tinting strength.\u003c\/li\u003e\n\u003cli\u003eThe greatest plastic effect is obtained by applying the paste unmixed and overpainting with Lascaux acrylic colours once dry.\u003c\/li\u003e\n\u003cli\u003epH ≈ 9.5 · density ≈ 1.5 g\/cm³ (20 °C) · viscosity 150,000–300,000 mPa·s (20 °C).\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eLimits of use\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eNever more than 1 cm per pass.\u003c\/strong\u003e It is the only thickness limit given by the manufacturer: above it, drying takes longer.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe paste dries water resistant, and the manufacturer does not publish any removal method.\u003c\/strong\u003e Neither the technical data sheet nor the safety data sheet mention removal or a removal solvent. If used in a conservation treatment, the procedure should be documented on this assumption.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTest suitability on the specific support before intervening.\u003c\/strong\u003e This is a written instruction from the manufacturer itself: the technical information does not exempt the user from testing the product beforehand on their support and under their specific conditions of use.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNo published drying time or shelf life\u003c\/strong\u003e, either unopened or once opened.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eContains preservatives that may cause an allergic reaction\u003c\/strong\u003e — see the safety information block below.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePresentation and storage\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePresentation: \u003cstrong\u003e250 ml jar · 500 ml jar · 1 L jar · 5 L bucket\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eColour: \u003cstrong\u003eNatural\u003c\/strong\u003e (neutral \/ white). The manufacturer also makes Modelling Paste A in Mineral Grey and Black Earth, but \u003cstrong\u003ethe 500 ml jar exists only in Natural\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eStore in the \u003cstrong\u003eoriginal container or another of the same material\u003c\/strong\u003e, dry and cool, avoiding heat and direct sunlight.\u003c\/li\u003e\n\u003cli\u003eShelf life: \u003cstrong\u003ethe manufacturer does not publish an expiry date\u003c\/strong\u003e, either unopened or once opened.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eManufactured by Lascaux Colours \u0026amp; Restauro — Barbara Diethelm AG, Brüttisellen (Switzerland).\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003e⚠️ Safety information\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eEUH208 (European supplementary hazard statement on sensitisers) — Contains 1,2-BENZISOTHIAZOL-3(2H)-ONE and 2-METHYL-2H-ISOTHIAZOL-3-ONE. May produce an allergic reaction.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProduct \u003cstrong\u003enot classified as hazardous\u003c\/strong\u003e under Regulation (EC) 1272\/2008 (CLP): no pictogram or signal word.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEye protection:\u003c\/strong\u003e wear protective goggles if there is a risk of splashing.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSkin contact:\u003c\/strong\u003e wash thoroughly with water and soap or a recognised skin cleanser. \u003cstrong\u003eDo not use solvents or thinners.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEye contact:\u003c\/strong\u003e remove contact lenses, keep eyelids open and rinse with plenty of water for 10-15 minutes. See a doctor.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIngestion:\u003c\/strong\u003e see a doctor immediately. Keep at rest. \u003cstrong\u003eDo not induce vomiting.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eDo not eat, drink or smoke while working.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIn case of spillage:\u003c\/strong\u003e keep away from ignition sources and \u003cstrong\u003eventilate the area well\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStorage:\u003c\/strong\u003e in the original container or one of the same material, dry and cool, away from heat and direct sunlight.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWaste:\u003c\/strong\u003e LER (European Waste Catalogue) code 08 01 12 — paint and varnish waste other than those mentioned in 08 01 11.\u003c\/li\u003e\n\u003cli\u003eSafety data sheet available on request.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFrequently asked questions\u003c\/h3\u003e\n\u003cdiv class=\"innv-faq\"\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat is the difference from Modelling Paste B and C?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThe \u003cstrong\u003egrain and finish\u003c\/strong\u003e, not the filling depth: A = fine grain, dries smooth · B = coarse grain, dries rough · C = extra coarse grain, dries very rough. B and C also contain quartz sand. Choice criterion: \u003cstrong\u003eif the surface to be levelled is smooth, choose A; if it is rough, choose \u003ca href=\"https:\/\/innovart.art\/en\/products\/lascaux-modelling-paste-b-natural\"\u003eModelling Paste B Natural\u003c\/a\u003e\u003c\/strong\u003e. For \u003cstrong\u003efresco-type priming on virtually all supports\u003c\/strong\u003e, the manufacturer names B and C.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eDoes it need diluting? How thick can I apply it in one go?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eIt is not diluted: used as is, in any final thickness. The only limit given by the manufacturer is \u003cstrong\u003enever more than 1 cm per pass\u003c\/strong\u003e, so that drying does not take longer. Already-dried layers can be covered with more paste or painted over with acrylics.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eDoes it crack when it dries?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eAs it dries, a \u003cstrong\u003ecertain amount of shrinkage\u003c\/strong\u003e occurs due to water evaporation, but \u003cstrong\u003eno cracks form\u003c\/strong\u003e, even in thick layers. The manufacturer describes the shrinkage without giving a figure.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eCan I tint it before applying it, or paint over it once dry?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eBoth. It can be mixed with \u003cstrong\u003eLascaux acrylic colours in any proportion\u003c\/strong\u003e; with the Natural version, the mixed tone \u003cstrong\u003eonly lightens slightly\u003c\/strong\u003e, due to the paste's low tinting strength. And once fully dry, it can be overpainted. \u003cem\u003eConservation criterion, not the manufacturer's:\u003c\/em\u003e when the treatment calls for a water-based, more easily distinguishable retouch, we work with \u003ca href=\"https:\/\/innovart.art\/en\/products\/lascaux-aquacryl\"\u003eLascaux Aquacryl Fluid\u003c\/a\u003e —a transparent acrylic watercolour from the same manufacturer— and with \u003ca href=\"https:\/\/innovart.art\/en\/products\/acuarela-extrafina-mir-8ml\"\u003eMIR extra-fine watercolours, 8 ml\u003c\/a\u003e. The manufacturer describes overpainting with \u003cstrong\u003eits own\u003c\/strong\u003e acrylic colours; behaviour with any other product should be tested on a trial area.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat is used to remove it once dry?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003e\u003cstrong\u003eThe manufacturer does not publish any removal method\u003c\/strong\u003e, and warns that the paste is \u003cstrong\u003ewater resistant once dry\u003c\/strong\u003e. Neither the technical data sheet nor the safety data sheet mention removal or a removal solvent. So, if used in a conservation treatment, \u003cstrong\u003ethe procedure must be documented on the assumption that removal is not described by the product's manufacturer\u003c\/strong\u003e.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eCan I use it on any support?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThe manufacturer states it in writing: the technical information \u003cstrong\u003edoes not exempt the user from testing the product's suitability beforehand on their support and under their specific conditions of use\u003c\/strong\u003e. This is the instruction that overrides any general recommendation. \u003cem\u003eConservation criterion, not the manufacturer's:\u003c\/em\u003e if the edge of the area to be filled is friable or powdery, prior consolidation is a separate step: that is what \u003ca href=\"https:\/\/innovart.art\/en\/products\/lascaux-medium-for-consolidation\"\u003eLascaux Medium for Consolidation\u003c\/a\u003e is for.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eDoes it work as a fresco-type ground? When should I choose something else from the catalogue?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eFor \u003cstrong\u003efresco-type priming on virtually all supports\u003c\/strong\u003e, the manufacturer expressly names \u003cstrong\u003eB and C\u003c\/strong\u003e. It does not say this of A. It does include \u003cstrong\u003efresco-like textured grounds or substrates\u003c\/strong\u003e among the applications of all three. And there are two cases where a different chemical family is called for. \u003ca href=\"https:\/\/innovart.art\/en\/products\/milliput-standard-masilla-epoxidica\"\u003eMilliput Standard\u003c\/a\u003e is a \u003cstrong\u003etwo-component epoxy putty\u003c\/strong\u003e: a different chemistry and a different conservation criterion. And if the criterion of the treatment is \u003cstrong\u003ecompatibility with a historical proteinaceous ground\u003c\/strong\u003e and a modern acrylic is not wanted, the base is \u003ca href=\"https:\/\/innovart.art\/en\/products\/cola-de-conejo-1\"\u003eDivolo rabbit skin glue\u003c\/a\u003e.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eHow long does it take to dry? Does the jar expire?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eNeither is published by the manufacturer. \u003cstrong\u003eIt gives no drying time\u003c\/strong\u003e —it only warns that above 1 cm per pass drying takes longer— and \u003cstrong\u003eit gives no shelf life\u003c\/strong\u003e, either unopened or once opened. What it does state is how to store it: original container or one of the same material, dry and cool, away from heat and direct sunlight.\u003c\/div\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\n\u003cp\u003e\u003cstrong\u003eHave questions?\u003c\/strong\u003e Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"\/en\"\u003einnovart.art\u003c\/a\u003e or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we'll advise you.\u003c\/p\u003e\n\n\u003cstyle\u003e.innv-faq{margin-top:8px;}.innv-faq details{border:1px solid #e5e2dc;border-radius:8px;margin:0 0 10px;background:#fff;}.innv-faq summary{cursor:pointer;list-style:none;padding:14px 46px 14px 16px;position:relative;font-weight:700;}.innv-faq summary::-webkit-details-marker{display:none;}.innv-faq summary::after{content:'+';position:absolute;right:16px;top:50%;transform:translateY(-50%);font-size:1.4em;line-height:1;color:#00494f;}.innv-faq details[open] summary::after{content:'\\2013';}.innv-faq details[open] summary{border-bottom:1px solid #efece6;}.innv-faq summary:hover{background:#faf8f5;}.innv-faq__a{padding:12px 16px 16px;margin:0;}\u003c\/style\u003e","brand":"Lascaux","offers":[{"title":"250ml","offer_id":52571996094811,"sku":"2050.38","price":16.7,"currency_code":"EUR","in_stock":true},{"title":"500ml","offer_id":52571996127579,"sku":"2050.46","price":25.1,"currency_code":"EUR","in_stock":true},{"title":"1 Liter","offer_id":52571996160347,"sku":"2050.62","price":44.5,"currency_code":"EUR","in_stock":true},{"title":"5 Liters","offer_id":52571996193115,"sku":null,"price":196.3,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/alm1l2050.jpg?v=1773252615"},{"product_id":"edding-lascaux-fineline-applicator-set-3-unidades-0-8-mm","title":"Lascaux Fineline Applicator Set (3 units, 0.8 mm)","description":"\u003cp\u003eAchieve precise, clean, and controlled strokes directly from the bottle. The Lascaux Fineline Applicator is an accessory designed to transform your acrylic paints into a high-precision application tool, ideal for fine lines, delicate details, and lettering.\u003c\/p\u003e\u003cp\u003eIt screws easily onto 85 ml and 250 ml Lascaux containers, allowing you to work without brushes and with total control over paint flow.\u003c\/p\u003e\u003ch2\u003eIdeal for:\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eFine details and continuous lines\u003c\/li\u003e\n\u003cli\u003eLettering and artistic writing\u003c\/li\u003e\n\u003cli\u003ePrecise decoration\u003c\/li\u003e\n\u003cli\u003eConservation and restoration work\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eFeatures:\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e3 units of 0.8 mm\u003c\/li\u003e\n\u003cli\u003eScrew system compatible with Lascaux bottles\u003c\/li\u003e\n\u003cli\u003eDirect, clean, and controlled application\u003c\/li\u003e\n\u003cli\u003eReusable and easy to clean\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eCompatibility:\u003c\/h2\u003e\u003cp\u003eLascaux 85 ml and 250 ml bottles\u003c\/p\u003e","brand":"Lascaux","offers":[{"title":"Default Title","offer_id":52851884818779,"sku":null,"price":15.35,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/LascauxFinelineApplicatorSet_3unidades_0_8mm_innovart.png?v=1776848602"},{"product_id":"lascaux-fineline-applicator-xl","title":"Lascaux Fineline Applicator XL (3 units, 1.3 \/ 1.4 \/ 1.7 mm)","description":"\u003cp\u003eThe Fineline XL applicator from Lascaux allows you to draw fluid lines, delicate ornaments, and elegant writing directly from the bottle. It screws easily onto Lascaux 85 ml and 250 ml bottles.\u003c\/p\u003e\u003ch2\u003eSet contents:\u003c\/h2\u003e\u003cul\u003e\u003cli\u003e3 steel applicators with line widths of 1.3 mm (yellow), 1.4 mm (white), and 1.7 mm (blue)\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003eCompatibility:\u003c\/h2\u003e\u003cp\u003eLascaux 85 ml and 250 ml bottles\u003c\/p\u003e","brand":"Lascaux","offers":[{"title":"Default Title","offer_id":52851988562267,"sku":"10060","price":15.35,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/imgi_2_Lascaux_Signatur-Aufsatz_XL.webp?v=1776851193"},{"product_id":"lascaux-artist","title":"Lascaux Artist – Professional Acrylic Paint | 54 Colors","description":"\u003ch2\u003eLascaux Artist — pastose artists’ quality acrylic, in 54 hues\u003c\/h2\u003e\n\u003cp\u003eLascaux Artist is a pastose artists’ acrylic paint, made with lightfast pigments and selected pure acrylics, which is diluted with water. It has a smooth, thick consistency, very similar to that of classic oil paints, and is worked with brush and palette knife, from fine glazes to thick impasto. Compared with Lascaux Studio Original, with its viscous consistency and even coverage, Artist is pastose and its opacity depends on the pigment of each hue: from transparent to opaque.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is it used for?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eArtistic painting in any technique\u003c\/strong\u003e, from fine glazes to thick impasto: the dry film can be painted over at will.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePrecision work with brush and palette knife\u003c\/strong\u003e, with a smooth, buttery paste.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eArt, design and decoration, indoors and outdoors\u003c\/strong\u003e: it is weather-resistant.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eArchitectural interiors\u003c\/strong\u003e: the manufacturer shows it in this type of project.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMetallic effects\u003c\/strong\u003e: \u003ca href=\"\/en\/products\/lascaux-artist-metallics\"\u003eLascaux Artist Metallics\u003c\/a\u003e are mixed with the transparent or semi-opaque Artist hues.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose Lascaux Artist?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eEach hue declares its pigment.\u003c\/strong\u003e The manufacturer’s colour chart gives, hue by hue, the pigments with their Colour Index code, the international reference that identifies each pigment (PY yellow, PO orange, PR red, PV violet, PB blue, PG green, PBr brown, PBk black, PW white), together with the lightfastness and the opacity.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eExcellent lightfastness in 45 hues and very good in 9\u003c\/strong\u003e (111, 112, 113, 114, 155, 156, 157, 158 and 163), according to the manufacturer’s colour chart. The manufacturer also declares it age-resistant and non-yellowing.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMaximum, highly concentrated pigmentation\u003c\/strong\u003e, according to the manufacturer.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHard, elastic film\u003c\/strong\u003e: it dries with minimal shrinkage, remains flexible without cracking even in thick layers and, once dry, is water-resistant.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEven semi-matt finish\u003c\/strong\u003e, with minimal colour difference between wet and dry.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePackaging and storage\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePackaging: \u003cstrong\u003e45 ml tube, 390 ml jar and 750 ml jar\u003c\/strong\u003e, in all 54 hues (numbered 111 to 192, in 4 series)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e200 ml tube\u003c\/strong\u003e in 18 hues: 112, 121, 123, 125, 128, 134, 142, 143, 144, 145, 147, 152, 155, 156, 165, 174, 181 and 191\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e5 l bucket\u003c\/strong\u003e in 191 Titanium white and 192 Tint white\u003c\/li\u003e\n\u003cli\u003eStorage: container tightly closed, in a cool, dry place, protected from heat and direct sunlight, and always in containers of the same material as the original. Take the paint out with a clean utensil.\u003c\/li\u003e\n\u003cli\u003eShelf life: \u003cstrong\u003e5 years in the unopened container\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eVegan and free of microplastics, according to the manufacturer.\u003c\/li\u003e\n\u003cli\u003eLabelling: according to the manufacturer’s safety data sheet (SDS), the mixture is not classified as hazardous under the CLP Regulation (the European regulation on classification, labelling and packaging). It carries the EU supplementary hazard statements (EUH phrases) listed under “Safety information”.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eMade in Switzerland by Lascaux Colours \u0026amp; Restauro, which has been making artists’ colours since 1963.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eHow to work with it\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eSupport:\u003c\/strong\u003e optimal adhesion on practically any grease-free surface. As a base, rigid or flexible, Lascaux primers or Lascaux modelling pastes (\u003ca href=\"\/en\/products\/lascaux-modelling-paste-a\"\u003eModelling Paste A\u003c\/a\u003e, \u003ca href=\"\/en\/products\/lascaux-modelling-paste-b-natural\"\u003eModelling Paste B natural\u003c\/a\u003e), depending on the absorbency and texture you are after.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDilution:\u003c\/strong\u003e it is applied straight from the container or diluted with water, as a guide up to 20-25 %. To dilute further, Lascaux medium, which maintains adhesion (manufacturer’s indication for all its colours).\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWith oil, in separate layers:\u003c\/strong\u003e oil can be painted over an underlayer of Artist; Artist is painted over oil after a few years, once the oil has completed its oxidation.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutdoors and varnishing:\u003c\/strong\u003e weather-resistant. For outdoor use, or under intense light, the manufacturer recommends finishing with its transparent varnish with ultraviolet (UV) absorber, Lascaux Transparent Varnish UV. Lascaux transparent varnishes protect the finished work durably and make it easier to clean.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eIf applied by spraying\u003c\/strong\u003e (spray gun or airbrush), in the hues without cadmium: with respiratory protection and, for airbrush, with a 0.15 to 0.5 mm nozzle (manufacturer’s indication for all its colours). The hues with cadmium are applied by brush or palette knife: the manufacturer’s safety data sheet indicates not to apply them by spraying.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBefore starting:\u003c\/strong\u003e the manufacturer recommends checking the suitability of the product on the support and under the intended conditions of use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eHues 112, 113, 121, 122, 124, 125, 127, 128, 129, 155, 156, 157 and 158 contain cadmium pigments; according to the manufacturer's safety data sheet, the use of cadmium pigments is limited to artists' colours.\u003c\/p\u003e\n\n\u003ch3\u003eSafety information\u003c\/h3\u003e\u003cp\u003eEUH208: Contains 1,2-benzisothiazol-3(2H)-one. May produce an allergic reaction.\u003c\/p\u003e\u003cp\u003eEUH210: Safety data sheet available on request (only for the hues without cadmium).\u003c\/p\u003e\u003cp\u003eManufacturer's safety data sheets: \u003ca href=\"https:\/\/lascaux.ch\/dbFile\/3884\/u-191e\/Lascaux_111ff_Artist%20without%20cadmium_E.pdf\" target=\"_blank\" rel=\"noopener\"\u003eLascaux Artist without cadmium\u003c\/a\u003e · \u003ca href=\"https:\/\/lascaux.ch\/dbFile\/3883\/u-4f6c\/Lascaux_112ff_Artist%20with%20cadmium_E.pdf\" target=\"_blank\" rel=\"noopener\"\u003eLascaux Artist with cadmium\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eFrequently asked questions\u003c\/h3\u003e\n\u003cdiv class=\"innv-faq\"\u003e\n\u003cdetails\u003e\u003csummary\u003eWhich hues are transparent, semi-opaque and opaque?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eAccording to the manufacturer’s colour chart: \u003cstrong\u003etransparent\u003c\/strong\u003e, 133, 142, 145, 166 and 171; \u003cstrong\u003esemi-opaque\u003c\/strong\u003e, 111, 114, 123, 126, 131, 132, 134, 136, 141, 143, 152, 153, 167, 173, 175, 183 and 192; \u003cstrong\u003eopaque\u003c\/strong\u003e, the remaining 32.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhich hues contain cadmium pigments?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThirteen: 112, 113, 121, 122, 124, 125, 127, 128, 129, 155, 156, 157 and 158. According to the manufacturer’s safety data sheet, the use of cadmium pigments is limited to artists’ colours. These hues are applied by brush or palette knife: the same safety data sheet indicates not to apply them by spraying.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eArtist, Studio Original or Sirius: which should I choose?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eIt depends on how you paint. \u003cstrong\u003eLascaux Artist\u003c\/strong\u003e: pastose consistency, very similar to that of oil, for brush and palette knife; opacity from transparent to opaque depending on the pigment; semi-matt finish. \u003cstrong\u003eLascaux Studio Original\u003c\/strong\u003e (\u003ca href=\"\/en\/products\/lascaux-studio-amarillos-naranjas-rojos\"\u003eyellows, oranges and reds\u003c\/a\u003e · \u003ca href=\"\/en\/products\/lascaux-studio-azules-violetas\"\u003eblues and violets\u003c\/a\u003e · \u003ca href=\"\/en\/products\/lascaux-studio-verdes-tierras\"\u003egreens and earths\u003c\/a\u003e · \u003ca href=\"\/en\/products\/lascaux-studio-negros-grises-blancos\"\u003eblacks, greys and whites\u003c\/a\u003e): viscous consistency and even coverage, designed for monochrome surfaces, murals and large formats, and also for airbrush and screen printing. \u003cstrong\u003e\u003ca href=\"\/en\/products\/lascaux-sirius-acrilico\"\u003eLascaux Sirius\u003c\/a\u003e\u003c\/strong\u003e: five primary colours, plus white and black, for mixing; it is the system for working from primaries, in teaching and in colour theory; compared with Sirius, Artist gives each hue ready-formulated, with its own pigments.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eHow are sheen, viscosity and transparency adjusted?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eWith Lascaux acrylic mediums, which adapt the paint to each technique: level of sheen, viscosity and structure. Transparency is increased by mixing in impasto gels, while keeping the body of the paint.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eHow do I read the colour chart?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eEach hue has its number (from 111 to 192), its name, its pigments with the Colour Index code, its series (1 to 4), its lightfastness (*** excellent, ** very good) and its opacity (opaque, semi-opaque or transparent). For example, 142 Ultramarine blue is PB29, series 2, excellent lightfastness and transparent.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eHow much paint is needed per square metre?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eAs a guide, 150-200 ml\/m² per coat; it varies with the technique and the support (general figure from the manufacturer for its colours).\u003c\/div\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\n\u003cp\u003e\u003cstrong\u003eAny questions?\u003c\/strong\u003e Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\/en\"\u003einnovart.art\u003c\/a\u003e or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we will advise you.\u003c\/p\u003e\n\n\u003cstyle\u003e.innv-faq{margin-top:8px;}.innv-faq details{border:1px solid #e5e2dc;border-radius:8px;margin:0 0 10px;background:#fff;}.innv-faq summary{cursor:pointer;list-style:none;padding:14px 46px 14px 16px;position:relative;font-weight:700;}.innv-faq summary::-webkit-details-marker{display:none;}.innv-faq summary::after{content:'+';position:absolute;right:16px;top:50%;transform:translateY(-50%);font-size:1.4em;line-height:1;color:#00494f;}.innv-faq details[open] summary::after{content:'\\2013';}.innv-faq details[open] summary{border-bottom:1px solid #efece6;}.innv-faq summary:hover{background:#faf8f5;}.innv-faq__a{padding:12px 16px 16px;margin:0;}\u003c\/style\u003e","brand":"Lascaux","offers":[{"title":"111 Hansa yellow \/ Tube 45 ml","offer_id":54405292196187,"sku":"111.11","price":13.4,"currency_code":"EUR","in_stock":true},{"title":"111 Hansa yellow \/ 13.2 fl oz","offer_id":54405292228955,"sku":"111.31","price":46.0,"currency_code":"EUR","in_stock":true},{"title":"111 Hansa yellow \/ 750 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l","offer_id":54405297996123,"sku":"191.78","price":492.0,"currency_code":"EUR","in_stock":true},{"title":"192 Tint white \/ Tube 45 ml","offer_id":54405298028891,"sku":"192.11","price":11.9,"currency_code":"EUR","in_stock":true},{"title":"192 Tint white \/ 13.2 fl oz","offer_id":54405298061659,"sku":"192.31","price":39.1,"currency_code":"EUR","in_stock":true},{"title":"192 Tint white \/ 750 ml","offer_id":54405298094427,"sku":"192.52","price":68.5,"currency_code":"EUR","in_stock":true},{"title":"192 Tint white \/ 5 l","offer_id":54405298127195,"sku":"192.78","price":492.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/imgi_2_LascauxArtistcolours.webp?v=1777286697"},{"product_id":"adhesivo-acrilico-lascaux-498-hv","title":"Lascaux 498 HV Acrylic Adhesive – White Glue for Lining and Marouflage","description":"\u003ch2\u003eLascaux Acrylic Adhesive 498 HV — the type the manufacturer declares standard for lining and marouflage\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eLascaux 498 HV\u003c\/strong\u003e is an \u003cstrong\u003eaqueous acrylic copolymer dispersion\u003c\/strong\u003e, thickened with acrylic copolymer, pasty and white in the container, that \u003cstrong\u003edries clear\u003c\/strong\u003e. It is not a polyvinyl acetate: it is an acrylic dispersion formulated for Conservation-Restoration, and its dry film is \u003cstrong\u003ehard elastic and tack-free\u003c\/strong\u003e, not permanently tacky. It is applied wet or reactivated once dry. The manufacturer lists it as the \u003cstrong\u003estandard type for linings and marouflages\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is it used for?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLining of paintings on canvas.\u003c\/strong\u003e This is the use the manufacturer names as the standard type for this product.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMarouflage:\u003c\/strong\u003e mounting fabric or paper onto a rigid support.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLaminations and collages\u003c\/strong\u003e, applied wet or by reactivating the dry film.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eReactivatable reinforcement strips and linings on paper.\u003c\/strong\u003e A thin layer is spread on siliconised polyester, left to dry, and then reactivated with a heated spatula or a local application of ethanol; since it introduces no water, it leaves no tidelines and does not distort the support. The prepared strips are stored between polyester sheets (Sheesley, 2011, the paper conservation group's annual of the American Institute for Conservation, vol. 30).\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSupports:\u003c\/strong\u003e the manufacturer indicates it for absorbent and non-absorbent supports, and cites paper and cardboard, textiles, wood and fibreboards, polyester sheets, plaster and concrete, glass and acrylic glass, and aluminium.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003eIf what you have is lifting paint layers, this is not the product.\u003c\/strong\u003e The 498 HV is a structural adhesive: it bonds supports. To consolidate paint layers, use the \u003ca href=\"\/en\/products\/lascaux-medium-for-consolidation\"\u003eLascaux Medium for Consolidation\u003c\/a\u003e; and when the treatment calls for a non-aqueous system, the manufacturer attributes consolidation of grounds and paint layers, and facing, to its heat-seal adhesive \u003ca href=\"\/en\/products\/lascaux-heat-seal-adhesive-375-p-1l\"\u003eLascaux 375 P\u003c\/a\u003e \u003cem\u003e(check availability)\u003c\/em\u003e, which activates at 62-65 °C and is insoluble in alcohol.\u003c\/p\u003e\n\n\u003ch3\u003eWhy choose Lascaux 498 HV?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eStandard type for linings and marouflages\u003c\/strong\u003e according to the manufacturer's own technical data sheet (edition 58370.02·11.24).\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHard elastic, tack-free and clear dry film\u003c\/strong\u003e, with an \u003cstrong\u003eelongation at break of approx. 400%\u003c\/strong\u003e, which the manufacturer describes as a strong elongation. It leaves no permanently tacky layer, unlike \u003ca href=\"\/en\/products\/acrylic-adhesive-303-hv-1\"\u003eLascaux 303 HV\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDissolves in ethanol\u003c\/strong\u003e, as well as in acetone, toluene and xylene. This allows removal with a non-aromatic solvent — 303 HV only swells in ethanol.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNo aromatic solvent in the container.\u003c\/strong\u003e \u003ca href=\"\/en\/products\/adhesivo-acrilico-lascaux-498-20-x\"\u003eLascaux 498 20-X\u003c\/a\u003e \u003cem\u003e(check availability)\u003c\/em\u003e is this same adhesive with 20% Thinner X (xylene) and is classified as hazardous; 498 HV does not contain it.\u003c\/li\u003e\n\u003cli\u003eThe manufacturer declares bonds that are \u003cstrong\u003elight-resistant, non-ageing and non-crosslinking\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003eSupport fabric.\u003c\/strong\u003e If the job calls for a polyester non-woven fabric, the one we carry is \u003ca href=\"\/en\/products\/hollytex-lascaux-tejido-no-tejido-de-poliester-para-restauracion-de-papel-y-obra-sobre-lienzo\"\u003eHollytex Lascaux\u003c\/a\u003e \u003cem\u003e(check availability)\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003ch3\u003ePackaging and storage\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePackaging: \u003cstrong\u003e85 ml bottle (ref. 4005.18) · 1 l tin (ref. 4005.62) · 5 l pail (ref. 4005.78)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eContainer \u003cstrong\u003eclosed\u003c\/strong\u003e when not in use, at a \u003cstrong\u003econstant temperature between 5 °C and 25 °C\u003c\/strong\u003e. Store in containers of the same material as the original, dry and cool, away from heat and direct sunlight.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBelow 5 °C the film does not form correctly:\u003c\/strong\u003e that is its minimum film-forming temperature (MFT). Worth bearing in mind in a cold workshop or an unheated indoor treatment.\u003c\/li\u003e\n\u003cli\u003eShelf life: \u003cstrong\u003ethe manufacturer does not publish any shelf-life or expiry data.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eManufactured by Lascaux Colours \u0026amp; Restauro (Barbara Diethelm AG, Brüttisellen, Switzerland). Useful note when reading the literature: much of the literature before ~2015 refers to \"Lascaux 360\/498\", and the 360 HV does not appear in the manufacturer's current catalogue (edition 11.24). The manufacturer itself notes that its information \"does not absolve the user from the responsibility of first testing the suitability of its products for the substrate and specific use conditions\".\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eLimits of use — where this is not the right product\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003ePhotographic works: no.\u003c\/strong\u003e The Canadian Conservation Institute found that \u003cstrong\u003e498 HV fails the Photographic Activity Test (PAT)\u003c\/strong\u003e — the standardised test that determines whether a material may be placed in contact with photographic material — in the part testing oxidation and reduction of colloidal silver. Batch-to-batch variation was also documented, with a recommendation to test each new batch. \u003cem\u003eCannon, 2013, Topics in Photographic Preservation 15 (American Institute for Conservation), citing Down et al., 2011.\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLifted paint layers and consolidation of strata: no.\u003c\/strong\u003e The 498 HV is a structural adhesive, it bonds supports. That is what the \u003ca href=\"\/en\/products\/lascaux-medium-for-consolidation\"\u003eLascaux Medium for Consolidation\u003c\/a\u003e is for, or the \u003ca href=\"\/en\/products\/lascaux-heat-seal-adhesive-375-p-1l\"\u003eLascaux 375 P\u003c\/a\u003e \u003cem\u003e(check availability)\u003c\/em\u003e if the treatment calls for a non-aqueous system.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWater alone does not reverse it.\u003c\/strong\u003e Dry, the film is insoluble in water and in white spirit. In testing it swelled 10% unaged and 0.6% aged, and the author concludes that swelling with water alone would not reverse a polymer film. \u003cem\u003eDuffy, 1989, Journal of the American Institute for Conservation (JAIC) 28(2).\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eReversibility cannot be assumed over the years.\u003c\/strong\u003e The manufacturer declares it does not crosslink, but in accelerated ageing the peel strength rose by around 1,000 g on average, which the author interprets as increased difficulty of reversibility, calling for further testing. \u003cem\u003eDuffy, 1989, JAIC 28(2).\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBelow 5 °C the film does not form.\u003c\/strong\u003e That is its minimum film-forming temperature (MFT), according to the manufacturer.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSupports the manufacturer does not name.\u003c\/strong\u003e Its list is a list of examples, not a closed list: it neither endorses nor excludes what it does not cite. For any other support, \u003cstrong\u003etest suitability beforehand\u003c\/strong\u003e — which is exactly what the manufacturer itself requires in its technical data sheet.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSafety\u003c\/h3\u003e\n\u003cp\u003eAccording to the manufacturer's safety data sheet (SDS), this product \u003cstrong\u003eis not classified\u003c\/strong\u003e under Regulation (EC) 1272\/2008 (CLP): it carries no pictogram, no signal word, and no hazard (H) or precautionary (P) statements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMandatory labelling statement (EUH208): \"Contains 2-methyl-2H-isothiazol-3-one and 1,2-benzisothiazol-3(2H)-one. May produce an allergic reaction.\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt is not dangerous goods for transport purposes. Protective goggles are recommended against splashes. After skin contact, wash with soap and water; \u003cstrong\u003edo not use solvents or thinners\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe safety data sheet gives no toxicological or ecotoxicological data, and the manufacturer declares no chemical incompatibilities. At elevated temperature it can generate carbon monoxide and carbon dioxide, smoke and nitrogen oxides.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not confuse with Lascaux 498 20-X\u003c\/strong\u003e, which is a different product: it contains xylene and \u003cstrong\u003eis classified\u003c\/strong\u003e, with the flame and exclamation-mark pictograms and the signal word \"Warning\". Hazard statements (H): \u003cstrong\u003eH226\u003c\/strong\u003e, flammable liquid and vapour; \u003cstrong\u003eH315\u003c\/strong\u003e, causes skin irritation. Precautionary statements (P): \u003cstrong\u003eP210\u003c\/strong\u003e (keep away from heat, hot surfaces, sparks, open flames and other ignition sources; no smoking), \u003cstrong\u003eP233\u003c\/strong\u003e (keep container tightly closed), \u003cstrong\u003eP280\u003c\/strong\u003e (wear protective gloves\/protective clothing), \u003cstrong\u003eP332+P313\u003c\/strong\u003e (if skin irritation occurs, get medical advice\/attention), \u003cstrong\u003eP403+P235\u003c\/strong\u003e (store in a well-ventilated place, keep cool) and \u003cstrong\u003eP405\u003c\/strong\u003e (store locked up). It also carries the same EUH208 statement for the isothiazolinone preservatives. Safety data for one does not apply to the other.\u003c\/p\u003e\n\n\u003ch3\u003eFrequently asked questions\u003c\/h3\u003e\n\u003cdiv class=\"innv-faq\"\u003e\n\u003cdetails\u003e\u003csummary\u003eHow does it differ from Lascaux 303 HV?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThe 498 HV film dries \u003cstrong\u003etack-free\u003c\/strong\u003e and \u003cstrong\u003edissolves in ethanol\u003c\/strong\u003e; the \u003ca href=\"\/en\/products\/acrylic-adhesive-303-hv-1\"\u003e303 HV\u003c\/a\u003e film remains \u003cstrong\u003epermanently tacky\u003c\/strong\u003e and only swells in ethanol. 303 HV seals from around 50 °C and stretches over 1000%; 498 HV seals at 68-76 °C and stretches approx. 400%. The manufacturer presents 303 HV as a heat-seal contact adhesive for lining, and 498 HV as the standard type for linings and marouflages. \u003cem\u003eLascaux technical data sheet 58370.02·11.24.\u003c\/em\u003e\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eCan it be removed once dry, and with what?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eDry, it is \u003cstrong\u003einsoluble in water and in white spirit\u003c\/strong\u003e, and \u003cstrong\u003edissolves well in acetone, ethanol, toluene and xylene\u003c\/strong\u003e, according to the manufacturer's technical data sheet. Worth knowing that \u003cstrong\u003ewater alone does not reverse it\u003c\/strong\u003e: in testing, the film swelled 10% unaged and 0.6% aged, and the author concludes that swelling with water alone would not reverse a polymer film. \u003cem\u003eDuffy, 1989, Journal of the American Institute for Conservation (JAIC) 28(2).\u003c\/em\u003e\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eDoes reversibility hold over the years?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThe manufacturer declares it \u003cstrong\u003edoes not crosslink\u003c\/strong\u003e. However, in accelerated ageing the peel strength of the 498 HV specimens \u003cstrong\u003erose by around 1,000 g on average\u003c\/strong\u003e, which the author interprets as \u003cstrong\u003eincreased difficulty of reversibility\u003c\/strong\u003e, though calling for further testing to determine whether a real trend toward irreversibility exists. On the published data, \u003cstrong\u003eindefinite reversibility cannot be assumed\u003c\/strong\u003e. \u003cem\u003eDuffy, 1989, JAIC 28(2).\u003c\/em\u003e\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eAt what temperature does the dry film reactivate?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eMinimum sealing temperature \u003cstrong\u003e68-76 °C\u003c\/strong\u003e, according to the manufacturer.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat dilution and reactivation time does the manufacturer indicate?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThe manufacturer states it is \u003cstrong\u003ewater-dilutable\u003c\/strong\u003e and \u003cstrong\u003ereactivatable with solvents\u003c\/strong\u003e, but \u003cstrong\u003edoes not publish any dilution ratio or reactivation time\u003c\/strong\u003e. Any specific ratio must be established through prior testing on a sample.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eIs it suitable for photographic material?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003e\u003cstrong\u003ePhotographic works: no.\u003c\/strong\u003e The Canadian Conservation Institute found that \u003cstrong\u003e498 HV fails the Photographic Activity Test (PAT)\u003c\/strong\u003e — the standardised test that determines whether a material may be placed in contact with photographic material — specifically in the part testing oxidation and reduction of colloidal silver; it does pass the mottling and staining tests. That colloidal silver is the \u003cstrong\u003etest's reagent, not the scope of the limit\u003c\/strong\u003e: the source applies the test both to traditional silver-based processes and to inkjet, electrophotography and dye sublimation prints, and the case it documents is precisely an inkjet print. Batch-to-batch variation was also documented: a 2005\/2006 batch passed the test and a 2012 batch failed, with a recommendation to \u003cstrong\u003etest each new batch\u003c\/strong\u003e. \u003cem\u003eCannon, 2013, Topics in Photographic Preservation 15 (American Institute for Conservation), citing Down et al., 2011.\u003c\/em\u003e\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhich supports is it validated on?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThe manufacturer indicates it for \u003cstrong\u003eabsorbent and non-absorbent supports\u003c\/strong\u003e, and cites paper and cardboard, textiles, wood and fibreboards, polyester sheets, plaster and concrete, glass and acrylic glass, and aluminium. The manufacturer cites these supports \u003cstrong\u003eas examples\u003c\/strong\u003e. For any other, \u003cstrong\u003etest suitability beforehand\u003c\/strong\u003e.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eCan I work with it in a cold workshop?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eNot below \u003cstrong\u003e5 °C\u003c\/strong\u003e: that is its \u003cstrong\u003eminimum film-forming temperature\u003c\/strong\u003e, and below it the film does not form correctly. The container, moreover, is stored \u003cstrong\u003ebetween 5 °C and 25 °C\u003c\/strong\u003e. \u003cem\u003eManufacturer's technical data sheet.\u003c\/em\u003e\u003c\/div\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\n\u003cp\u003e\u003cstrong\u003eDo you have any questions?\u003c\/strong\u003e Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e, or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we will advise you.\u003c\/p\u003e\n\n\u003cstyle\u003e.innv-faq{margin-top:8px;}.innv-faq details{border:1px solid #e5e2dc;border-radius:8px;margin:0 0 10px;background:#fff;}.innv-faq summary{cursor:pointer;list-style:none;padding:14px 46px 14px 16px;position:relative;font-weight:700;}.innv-faq summary::-webkit-details-marker{display:none;}.innv-faq summary::after{content:'+';position:absolute;right:16px;top:50%;transform:translateY(-50%);font-size:1.4em;line-height:1;color:#00494f;}.innv-faq details[open] summary::after{content:'\\2013';}.innv-faq details[open] summary{border-bottom:1px solid #efece6;}.innv-faq summary:hover{background:#faf8f5;}.innv-faq__a{padding:12px 16px 16px;margin:0;}\u003c\/style\u003e","brand":"Lascaux","offers":[{"title":"85 mL","offer_id":52885916057947,"sku":"4005.18","price":9.9,"currency_code":"EUR","in_stock":true},{"title":"1 l","offer_id":52885916090715,"sku":"4005.62","price":41.9,"currency_code":"EUR","in_stock":true},{"title":"5 l","offer_id":52885916123483,"sku":"4005.78","price":184.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/imgi_2_Lascaux_Kleber_498-HV_1.webp?v=1777370538"},{"product_id":"adhesivo-acrilico-lascaux-498-20-x","title":"Lascaux Acrylic Adhesive 498 20-X — Strip-lining and Marouflage of Textiles","description":"\u003cp\u003e\u003cstrong\u003eLascaux Acrylic Adhesive 498 20-X\u003c\/strong\u003e is a dispersion acrylic adhesive for lining, textile bonding, and mounting, based on methyl methacrylate and butyl acrylate.\u003c\/p\u003e\u003ch3\u003eWhy choose Lascaux 498 20-X?\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\u003cstrong\u003eWater-dilutable\u003c\/strong\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cstrong\u003eExcellent adhesive properties\u003c\/strong\u003e\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWater-resistant\u003c\/strong\u003e once dry\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTack-free dry film\u003c\/strong\u003e — elastic, tough, and transparent\u003c\/li\u003e\n\n\u003cli\u003e\u003cstrong\u003eLight and aging resistant\u003c\/strong\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cstrong\u003eNon-yellowing\u003c\/strong\u003e\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eGood solubility\u003c\/strong\u003e in acetone, ethanol, toluene, and xylene\u003c\/li\u003e\n\n\u003cli\u003e\u003cstrong\u003eInsoluble in white spirit\u003c\/strong\u003e\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eUses and applications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003eLining\u003c\/li\u003e\n\n\u003cli\u003eTextile bonding\u003c\/li\u003e\n\n\u003cli\u003eMounting\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eSafety\u003c\/h3\u003e\n\u003cp\u003eManufacturer's classification (Lascaux Acrylic Adhesive 498 20-X Safety Data Sheet (4010), version 5.0.0, 28\/02\/2017). Signal word: \u003cstrong\u003eWarning\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHazard classes and categories:\u003c\/strong\u003e Flammable liquids, category 3 · Skin irritation, category 2.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePictograms:\u003c\/strong\u003e GHS02 (flame) · GHS07 (exclamation mark).\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eH226\u003c\/strong\u003e — Flammable liquid and vapor.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eH315\u003c\/strong\u003e — Causes skin irritation.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePrecautionary statements:\u003c\/strong\u003e P102 Keep out of reach of children · P210 Keep away from heat, hot surfaces, sparks, open flames, and other ignition sources. No smoking · P280 Wear protective gloves · P302+P352 IF ON SKIN: Wash with plenty of soap and water · P362+P364 Take off contaminated clothing and wash it before reuse.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupplemental information:\u003c\/strong\u003e EUH208 Contains 1,2-benzisothiazol-3(2H)-one; 2-methyl-2H-isothiazol-3-one. May produce an allergic reaction.\u003c\/p\u003e\n\u003cp\u003eComplete safety data sheet available upon request at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDo you have questions?\u003c\/strong\u003e Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e, or write to us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e for advice.\u003c\/p\u003e","brand":"Lascaux","offers":[{"title":"1 l","offer_id":52886017868123,"sku":"4010.62","price":47.12,"currency_code":"EUR","in_stock":true},{"title":"5 l","offer_id":52886017900891,"sku":"4010.63","price":200.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/imgi_2_Lascaux_Acrylkleber_498-20X.webp?v=1777372144"},{"product_id":"lascaux-gesso","title":"Lascaux Gesso — Professional Acrylic Primer","description":"\u003cp\u003e\u003cstrong\u003eLascaux Gesso\u003c\/strong\u003e is a professional acrylic primer for preparing surfaces in conservation and fine arts. It creates a pure white, matte, and semi-absorbent base with exceptional adhesion and tooth for any painting technique.\u003c\/p\u003e\u003ch3\u003eApplications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTechniques:\u003c\/strong\u003e acrylic, oil, watercolor, and tempera\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSurfaces:\u003c\/strong\u003e canvas, paper, cardboard, wood, textiles, fair-faced concrete, and synthetics\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eFeatures\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003ePure white, matte base with excellent tooth\u003c\/li\u003e\n\n\u003cli\u003eFast-drying, flexible, and age-resistant\u003c\/li\u003e\n\n\u003cli\u003eLightfast — archivally safe\u003c\/li\u003e\n\n\u003cli\u003eHighly concentrated: yields 50–100 ml\/m²\u003c\/li\u003e\n\n\u003cli\u003eWater-dilutable · tintable with acrylics · easily sandable\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCoverage:\u003c\/strong\u003e 50–100 ml\/m²\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDilution:\u003c\/strong\u003e 10–20% water\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eApplication\u003c\/h3\u003e\u003cp\u003eDilute with 10–20% water. Refer to package instructions.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eQuestions?\u003c\/strong\u003e Message us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e, or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e for advice.\u003c\/p\u003e","brand":"Lascaux","offers":[{"title":"500 ml \/ Natural","offer_id":53121957724507,"sku":null,"price":34.39,"currency_code":"EUR","in_stock":true},{"title":"500 ml \/ Transparent","offer_id":53121983938907,"sku":null,"price":34.39,"currency_code":"EUR","in_stock":true},{"title":"500 ml \/ Black","offer_id":53121983971675,"sku":null,"price":34.39,"currency_code":"EUR","in_stock":true},{"title":"1 l \/ Natural","offer_id":53121957757275,"sku":null,"price":54.56,"currency_code":"EUR","in_stock":true},{"title":"1 l \/ Transparent","offer_id":53121984004443,"sku":null,"price":54.56,"currency_code":"EUR","in_stock":true},{"title":"1 l \/ Black","offer_id":53121984037211,"sku":null,"price":54.56,"currency_code":"EUR","in_stock":true},{"title":"5 L \/ Natural","offer_id":53121957790043,"sku":null,"price":244.55,"currency_code":"EUR","in_stock":true},{"title":"5 L \/ Transparent","offer_id":53121984069979,"sku":null,"price":244.55,"currency_code":"EUR","in_stock":true},{"title":"5 L \/ Black","offer_id":53121984102747,"sku":null,"price":244.55,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/innovart.art-materiales-conservacion-restauracion.png?v=1779879030"},{"product_id":"lascaux-modelling-paste-b-natural","title":"Lascaux Modelling Paste B Natural 250 ml — Heavy Modelling Paste","description":"\u003cp\u003e\u003cstrong\u003eLascaux Modelling Paste B Natural\u003c\/strong\u003e is a thick-textured modeling paste for reliefs, structures, and restoration. It dries to a rough, natural-toned (off-white) surface that accepts paint, color, and finishes without additional preparation. It comes in a 250 ml jar, manufactured in Switzerland by Lascaux Colours \u0026amp; Restauro.\u003c\/p\u003e\u003ch3\u003eApplications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003ePasty paint and impasto\u003c\/li\u003e\n\n\u003cli\u003eReliefs, structures, and three-dimensional modeling\u003c\/li\u003e\n\n\u003cli\u003eCollages, inlays, and mosaics\u003c\/li\u003e\n\n\u003cli\u003eTextured or fresco-effect supports\u003c\/li\u003e\n\n\u003cli\u003eConservation and restoration work\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eFeatures\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNo cracking in thick layers\u003c\/strong\u003e — apply with a spatula or brush without fear of cracks\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLow shrinkage\u003c\/strong\u003e — maintains the exact volume and shape of the model\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWater-resistant\u003c\/strong\u003e once dry — suitable for long-lasting works\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLight and age-stable\u003c\/strong\u003e — museum-quality archival formulation\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eHard, elastic, and flexible\u003c\/strong\u003e — does not break over time\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCompatible with all Lascaux mediums\u003c\/strong\u003e — full integration into your workflow\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eExcellent adhesion\u003c\/strong\u003e on canvas, wood, paper, and other supports\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePresentation:\u003c\/strong\u003e 250 ml jar\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eColor:\u003c\/strong\u003e Natural (off-white)\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eManufacturer:\u003c\/strong\u003e Lascaux Colours \u0026amp; Restauro (Switzerland)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eHave questions?\u003c\/strong\u003e Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we will advise you.\u003c\/p\u003e","brand":"Lascaux Colours \u0026 Restauro","offers":[{"title":"250 ml","offer_id":53138854642011,"sku":"2051.38","price":20.23,"currency_code":"EUR","in_stock":true},{"title":"500 ml","offer_id":53138854674779,"sku":"2051.39","price":32.61,"currency_code":"EUR","in_stock":true},{"title":"1 l","offer_id":53138854707547,"sku":"2051.40","price":52.24,"currency_code":"EUR","in_stock":true},{"title":"5 L","offer_id":53138854740315,"sku":"2051.41","price":236.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/innovart.art-materiales-conservacion-restauracion_2.png?v=1779903589"},{"product_id":"lascaux-structura","title":"Lascaux Structura® — extra-light texture paste for painting grounds","description":"\u003ch2\u003eLascaux Structura® — extra-light texture paste for painting grounds\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eLascaux Structura®\u003c\/strong\u003e is a fine-grained, very light acrylic modelling paste: a pure acrylic dispersion with modified quartz filler. It dries to a velvety, absorbent surface, in three colours: \u003cstrong\u003eNatural\u003c\/strong\u003e (intense white), \u003cstrong\u003eMineral Grey\u003c\/strong\u003e (warm grey) and \u003cstrong\u003eBlack Earth\u003c\/strong\u003e (deep black). Its sister pastes in the range, Modelling Paste A, B and C, have a calcite filler; Structura, with modified quartz, is formulated for textured painting grounds, surface relief and large formats.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is it used for?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eTextured painting grounds\u003c\/strong\u003e: as a preparation of the support, neat or diluted with water, in several layers.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSurface relief and impasto\u003c\/strong\u003e: velvety textures and heavy impastos in successive layers, on its own or mixed with the colours, to which it gives more body.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLarge formats\u003c\/strong\u003e: because of its light weight, the manufacturer describes it as ideal for large works.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eGround for glazes\u003c\/strong\u003e: Structura Natural is particularly suited to the glazing technique, because its fine texture gives the colours a special luminosity. Natural and Mineral Grey serve as a primer for glazes with \u003ca href=\"\/en\/products\/lascaux-aquacryl\"\u003eLascaux Aquacryl\u003c\/a\u003e and with \u003ca href=\"\/en\/products\/lascaux-sirius-acrilico\"\u003eSirius colours\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCollages\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBase for acrylic, watercolour, tempera and oil painting\u003c\/strong\u003e; oil is painted on top, without mixing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose Lascaux Structura?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eVery light\u003c\/strong\u003e: density approx. 0.8 g\/cm³ at 20 °C.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLow shrinkage\u003c\/strong\u003e and no cracking on drying, according to the manufacturer.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVery good adhesion\u003c\/strong\u003e on practically all supports, sealing very absorbent ones first.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLight- and age-resistant\u003c\/strong\u003e; hard and elastic at the same time, it sands well.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStructura Natural respects the colour\u003c\/strong\u003e: it mixes with all Lascaux colours and, because of its minimal tinting strength, barely lightens them; its fine texture intensifies the colour, above all with Aquacryl and in glazes over a Structura ground.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCompatible with all Lascaux painting mediums\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEach Lascaux paste, its own job\u003c\/strong\u003e: Structura for fine-textured, light and luminous grounds. To supplement impasto, relief or cracks in a work under restoration, the manufacturer indicates \u003ca href=\"\/en\/products\/lascaux-modelling-paste-a\"\u003eModelling Paste A\u003c\/a\u003e (smooth finish) or \u003ca href=\"\/en\/products\/lascaux-modelling-paste-b-natural\"\u003eModelling Paste B\u003c\/a\u003e (rough surface).\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePackaging and storage\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePackaging: \u003cstrong\u003eNatural in 250 ml, 500 ml and 1 l jars, and 5 l bucket · Mineral Grey and Black Earth in 250 ml and 1 l jars\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eStorage: in a cool place, with the container dry, away from heat and direct sunlight; always in a container of the same material as the original.\u003c\/li\u003e\n\u003cli\u003eShelf life: \u003cstrong\u003e4 years in the unopened container\u003c\/strong\u003e (manufacturer’s figure for its range of painting mediums, in which it includes Structura).\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eLascaux Colours \u0026amp; Restauro (Brüttisellen, Switzerland) manufactures the Lascaux range of colours, mediums and modelling pastes.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eHow to work with it\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eAs a ground\u003c\/strong\u003e: neat or diluted with water, in several layers. Also mixed with Lascaux Primer, \u003ca href=\"\/en\/products\/lascaux-gesso\"\u003eLascaux Gesso\u003c\/a\u003e or Studio White, depending on the absorbency and texture required.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDilution\u003c\/strong\u003e: up to 20-25 % water, which is the manufacturer’s general guideline for its products. For higher dilution, the manufacturer indicates its painting mediums.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVery absorbent supports\u003c\/strong\u003e: seal them first with Lascaux Medium 1, Acryl Transparent Varnish 1 gloss or Hydro-Sealer, diluted approx. 1:4 with water.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThick impastos\u003c\/strong\u003e: in several layers, to shorten the through-drying time.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOil\u003c\/strong\u003e: on top of the Structura layer, without mixing it in; as a general rule, the manufacturer recommends not mixing acrylic and oil.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e: the finished work can be varnished with Lascaux Transparent Varnish for protection.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePreliminary test\u003c\/strong\u003e: before the work, a test on the same support and for the same use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSafety\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAccording to its safety data sheet (SDS), the manufacturer \u003cstrong\u003edoes not classify the mixture as hazardous\u003c\/strong\u003e under Regulation (EC) 1272\/2008 (CLP, the European regulation on classification, labelling and packaging of substances and mixtures).\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEUH208\u003c\/strong\u003e (supplementary statement of the European Union): Contains 1,2-benzisothiazol-3(2H)-one. May produce an allergic reaction.\u003c\/li\u003e\n\u003cli\u003eProtective glasses if there is a risk of splashes. On skin, wash with soap and water, without solvents or thinners.\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/lascaux.ch\/dbFile\/3957\/u-43e0\/Lascaux_2052ff_Structura%C2%AE_E.pdf\" target=\"_blank\" rel=\"noopener\"\u003eManufacturer’s safety data sheet\u003c\/a\u003e (PDF, in English).\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFrequently asked questions\u003c\/h3\u003e\n\u003cdiv class=\"innv-faq\"\u003e\n\u003cdetails\u003e\u003csummary\u003eStructura or Modelling Paste A?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eIt depends on the job. To supplement impasto, relief or cracks in a work under restoration, the manufacturer indicates \u003ca href=\"\/en\/products\/lascaux-modelling-paste-a\"\u003eModelling Paste A\u003c\/a\u003e, with calcite filler and a smooth finish, or \u003ca href=\"\/en\/products\/lascaux-modelling-paste-b-natural\"\u003eModelling Paste B\u003c\/a\u003e if a rough surface is wanted. For fine-textured painting grounds, luminous glazes with Natural and large formats, Structura, with modified quartz filler and a density of approx. 0.8 g\/cm³ at 20 °C.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhy is it recommended for large formats?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eBecause of its weight: it has a density of approx. 0.8 g\/cm³ at 20 °C, and the manufacturer describes it as extremely light and therefore ideal for large works.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eCan it be diluted? With what?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eWith water, and as a ground it is applied in several layers. The manufacturer’s general guideline for its products is up to 20-25 % water; for higher dilution, its painting mediums.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eMy support is very absorbent: how do I prepare it?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eBy sealing it first with Lascaux Medium 1, Acryl Transparent Varnish 1 gloss or Hydro-Sealer, diluted approx. 1:4 with water. With very absorbent supports sealed, the manufacturer gives Structura for practically all supports.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eCan I paint in oil on top?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eYes, on top: an acrylic layer can be overpainted in oil. As a general rule, the manufacturer recommends not mixing acrylic and oil, so the oil goes in its own layer, over Structura.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eDoes it work as a ground for glazes?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eYes, above all Structura Natural: its fine texture gives the colours a special luminosity and intensifies them, in particular with \u003ca href=\"\/en\/products\/lascaux-aquacryl\"\u003eLascaux Aquacryl\u003c\/a\u003e. Natural and Mineral Grey serve as a primer for glazes with Aquacryl and with \u003ca href=\"\/en\/products\/lascaux-sirius-acrilico\"\u003eSirius colours\u003c\/a\u003e.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eHow are thick impastos built up?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eIn several successive layers, to shorten the through-drying time. Structura can be used on its own or mixed with the colours, to which it gives more body.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhich colours are there and how does each one look when dry?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThree: Natural, an intense white; Mineral Grey, a warm grey; and Black Earth, a deep black. All three dry to a velvety, absorbent surface.\u003c\/div\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\n\u003cp\u003e\u003cstrong\u003eAny questions?\u003c\/strong\u003e Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\/en\"\u003einnovart.art\u003c\/a\u003e or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we will advise you.\u003c\/p\u003e\n\n\u003cstyle\u003e.innv-faq{margin-top:8px;}.innv-faq details{border:1px solid #e5e2dc;border-radius:8px;margin:0 0 10px;background:#fff;}.innv-faq summary{cursor:pointer;list-style:none;padding:14px 46px 14px 16px;position:relative;font-weight:700;}.innv-faq summary::-webkit-details-marker{display:none;}.innv-faq summary::after{content:'+';position:absolute;right:16px;top:50%;transform:translateY(-50%);font-size:1.4em;line-height:1;color:#00494f;}.innv-faq details[open] summary::after{content:'\\2013';}.innv-faq details[open] summary{border-bottom:1px solid #efece6;}.innv-faq summary:hover{background:#faf8f5;}.innv-faq__a{padding:12px 16px 16px;margin:0;}\u003c\/style\u003e","brand":"Lascaux","offers":[{"title":"Natural \/ 250 ml","offer_id":53140595278171,"sku":"2052.38","price":24.63,"currency_code":"EUR","in_stock":true},{"title":"Natural \/ 500 ml","offer_id":54405289804123,"sku":"2052.46","price":33.3,"currency_code":"EUR","in_stock":true},{"title":"Natural \/ 1 L","offer_id":54405289836891,"sku":"2052.62","price":53.35,"currency_code":"EUR","in_stock":true},{"title":"Natural \/ 5 l","offer_id":54405289869659,"sku":"2052.78","price":232.9,"currency_code":"EUR","in_stock":true},{"title":"Black Earth \/ 250 ml","offer_id":54405289902427,"sku":"2053.38","price":26.8,"currency_code":"EUR","in_stock":true},{"title":"Black Earth \/ 1 L","offer_id":54405289935195,"sku":"2053.62","price":82.65,"currency_code":"EUR","in_stock":true},{"title":"Mineral Grey \/ 250 ml","offer_id":54405289967963,"sku":"2054.38","price":25.8,"currency_code":"EUR","in_stock":true},{"title":"Mineral Grey \/ 1 L","offer_id":54405290000731,"sku":"2054.62","price":66.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/innovart.art-materiales-conservacion-restauracion_3_6010ddee-2340-4cc0-a4c6-ce98c2893d60.png?v=1779955701"},{"product_id":"lascaux-artist-metallics","title":"Lascaux Artist Metallics — Professional Metallic Acrylic","description":"\u003cp\u003e\u003cstrong\u003eLascaux Artist Metallics\u003c\/strong\u003e is a range of professional metallic acrylics with a unique pearlescent luster, formulated with non-oxidizing mineral pigments. With a thick and buttery consistency, they can be worked impasto or diluted with water to achieve glazes and highly intense metallic effects.\u003c\/p\u003e\n\u003ch3\u003eWhy choose Lascaux Artist Metallics?\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePearlescent metallic sheen\u003c\/strong\u003e — Intense and stable effect over time\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eOpaque, good coverage\u003c\/strong\u003e — Non-oxidizing mineral pigments: do not darken or yellow\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eMaximum lightfastness\u003c\/strong\u003e — Permanent color, suitable for outdoor use\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThick and buttery texture\u003c\/strong\u003e — Can be worked impasto or as a glaze\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eOptimal adhesion and flexibility\u003c\/strong\u003e — High film flexibility\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWater-dilutable\u003c\/strong\u003e — Can be mixed with each other and with other Lascaux Artist colors\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eUses and applications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFine arts\u003c\/strong\u003e — Metallic highlights, glazes, and decorative work\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eGilding and decoration\u003c\/strong\u003e — Imitation gold and silver, metallic effects\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArchitecture and interior design\u003c\/strong\u003e — Details and surfaces, indoors and outdoors\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eColors\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e197 Bright Silver\u003c\/li\u003e\n\n\u003cli\u003e198 King Gold\u003c\/li\u003e\n\n\u003cli\u003e199 Sun Gold\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003eAvailable in 2 formats (45 ml tube and 390 ml bottle). Unsure which one to choose? \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eContact us\u003c\/a\u003e. Available at \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e · \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e\u003c\/p\u003e\n","brand":"Lascaux","offers":[{"title":"197 Brilliant Silver \/ 1.5 oz","offer_id":53165936148827,"sku":"LMETALLIC-197-45ml","price":23.44,"currency_code":"EUR","in_stock":true},{"title":"197 Brilliant Silver \/ 13.2 fl oz","offer_id":53165936181595,"sku":"LMETALLIC-197-390ml","price":86.57,"currency_code":"EUR","in_stock":true},{"title":"198 King's Gold \/ 1.5 oz","offer_id":53165936214363,"sku":"LMETALLIC-198-45ml","price":23.44,"currency_code":"EUR","in_stock":true},{"title":"198 King's Gold \/ 13.2 fl oz","offer_id":53165936247131,"sku":"LMETALLIC-198-390ml","price":86.57,"currency_code":"EUR","in_stock":true},{"title":"199 Sunshine Gold \/ 1.5 oz","offer_id":53165936279899,"sku":"LMETALLIC-199-45ml","price":23.44,"currency_code":"EUR","in_stock":true},{"title":"199 Sunshine Gold \/ 13.2 fl oz","offer_id":53165936312667,"sku":"LMETALLIC-199-390ml","price":86.57,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/innovart.art-materiales-conservacion-restauracion_33.png?v=1780073782"},{"product_id":"lascaux-studio-amarillos-naranjas-rojos","title":"Lascaux Studio Original — Fine Acrylic · Yellows, Oranges, Reds and Magentas","description":"\u003cp\u003e\u003cstrong\u003eLascaux Studio Original\u003c\/strong\u003e is Lascaux's professional fine acrylic paint: highly concentrated, intense, and versatile. 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\/ 85 mL","offer_id":53166053032283,"sku":"LSTUDIO-986-85ml","price":13.45,"currency_code":"EUR","in_stock":true},{"title":"986 Naples orange \/ 250 ml","offer_id":53166053065051,"sku":"LSTUDIO-986-250ml","price":26.6,"currency_code":"EUR","in_stock":true},{"title":"986 Naples orange \/ 500 ml","offer_id":53166053097819,"sku":"LSTUDIO-986-500ml","price":44.39,"currency_code":"EUR","in_stock":true},{"title":"986 Naples orange \/ 1 l","offer_id":53166053130587,"sku":"LSTUDIO-986-1lt","price":84.97,"currency_code":"EUR","in_stock":true},{"title":"986 Naples orange \/ 5 L","offer_id":53166053163355,"sku":"LSTUDIO-986-5lt","price":425.54,"currency_code":"EUR","in_stock":true},{"title":"922 Vermilion \/ 1 fl oz","offer_id":53166053196123,"sku":"LSTUDIO-922-30ml","price":7.44,"currency_code":"EUR","in_stock":true},{"title":"922 Vermilion \/ 85 mL","offer_id":53166053228891,"sku":"LSTUDIO-922-85ml","price":13.45,"currency_code":"EUR","in_stock":true},{"title":"922 Vermilion \/ 250 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A balanced and ready-to-use selection, designed for art students, professionals on the go, and conservation and restoration specialists.\u003c\/p\u003e\u003ch3\u003eWhy choose this set?\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003e12 essential colors\u003c\/strong\u003e — Complete palette: yellows, reds, blues, greens, earth tones, black, and white\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eProfessional fine acrylic\u003c\/strong\u003e — Intense pigmentation, semi-matte finish, and high opacity\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eHigh lightfastness\u003c\/strong\u003e — Stable colors that do not yellow or age\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCompact 30 ml format\u003c\/strong\u003e — Ideal for studio, travel, workshops, and beginners\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWater-dilutable\u003c\/strong\u003e — Solvent-free, suitable for indoor and outdoor use\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eUses and applications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFine arts\u003c\/strong\u003e — Easel painting and studio work\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eConservation and restoration\u003c\/strong\u003e — Chromatic reintegration and retouching\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDecoration and architecture\u003c\/strong\u003e — Murals and surfaces, indoor and outdoor\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTraining\u003c\/strong\u003e — Ideal for courses and workshops\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eColors included (30 ml each)\u003c\/h3\u003e\u003ctable\u003e\u003ctbody\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e912 Lemon Yellow\u003c\/td\u003e\n\n\u003ctd\u003e914 Permanent Yellow Medium\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e922 Vermilion\u003c\/td\u003e\n\n\u003ctd\u003e925 Carmine Red\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e942 Ultramarine Blue Dark\u003c\/td\u003e\n\n\u003ctd\u003e944 Cobalt Blue\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e951 Emerald Green\u003c\/td\u003e\n\n\u003ctd\u003e954 Permanent Green Light\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e961 Yellow Ochre\u003c\/td\u003e\n\n\u003ctd\u003e964 English Red\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e972 Iron Oxide Black\u003c\/td\u003e\n\n\u003ctd\u003e982 Titanium White\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cp\u003eNot sure which one to choose? \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eContact us\u003c\/a\u003e. Available at innovart.art · info@innovart.art\u003c\/p\u003e","brand":"Lascaux","offers":[{"title":"Default Title","offer_id":53183157272923,"sku":"LSET-STUDIO-12x30","price":82.11,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/innovart.art-materiales-conservacion-restauracion_92.png?v=1780137978"},{"product_id":"lascaux-estuche-artist-metallics","title":"Lascaux Artist Metallics — Set 3 x 45 ml","description":"\u003cp\u003e\u003cstrong\u003eLascaux Artist Metallics Set\u003c\/strong\u003e with the \u003cstrong\u003ethree metallic acrylics\u003c\/strong\u003e in 45 ml tubes. Pearlescent, opaque colors with maximum lightfastness, formulated with non-oxidizing mineral pigments.\u003c\/p\u003e\u003ch3\u003eWhy choose this set?\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eThe 3 metallics in the range\u003c\/strong\u003e — Bright Silver, King Gold, and Sun Gold\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStable pearlescent sheen\u003c\/strong\u003e — Does not oxidize, darken, or yellow\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eOpaque and highly lightfast\u003c\/strong\u003e — Permanent color, suitable for outdoor use\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePasty and buttery texture\u003c\/strong\u003e — For impasto or glazing\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWater-dilutable\u003c\/strong\u003e — Can be mixed with each other and with other Lascaux Artist colors\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eUses and applications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFine arts\u003c\/strong\u003e — Metallic highlights, glazes, and decorative works\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eGilding and decoration\u003c\/strong\u003e — Imitation gold and silver, metallic effects\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArchitecture and interior design\u003c\/strong\u003e — Details and surfaces, indoor and outdoor\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eColors included (45 ml tube)\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e197 Bright Silver\u003c\/li\u003e\n\n\u003cli\u003e198 King Gold\u003c\/li\u003e\n\n\u003cli\u003e199 Sun Gold\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eDo you have doubts about which one to choose? \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eWrite to us\u003c\/a\u003e. Available at \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e · \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e\u003c\/p\u003e","brand":"Lascaux","offers":[{"title":"Default Title","offer_id":53183157305691,"sku":"LSET-METALLICS","price":55.93,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/al45197.jpg?v=1780428964"},{"product_id":"lascaux-estuche-sirius-acrilico-7x85","title":"Lascaux Sirius® Acrylic — Set 7 × 85 ml","description":"\u003cp\u003e\u003cstrong\u003eLascaux Sirius® Acrylic Set\u003c\/strong\u003e with the \u003cstrong\u003efive primary colors plus black and white\u003c\/strong\u003e in 85 ml bottles. Includes a palette, mixing cup, and brochure. The Sirius primary system allows you to mix over 78,000 pure and harmonious shades.\u003c\/p\u003e\u003ch3\u003eWhy choose this set?\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eComplete primary system\u003c\/strong\u003e — 5 primaries + black and white to create +78,000 shades\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eExceptional purity\u003c\/strong\u003e — Mixtures retain maximum saturation and luminosity\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSemi-opaque and buttery\u003c\/strong\u003e — Deep matte finish, easy to apply\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLightfast and waterproof\u003c\/strong\u003e — Long-lasting color, suitable for outdoor use\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eReady-to-mix kit\u003c\/strong\u003e — Palette + mixing cup + practical brochure\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eUses and applications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFine arts\u003c\/strong\u003e — Painting and color theory in practice\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eConservation and restoration\u003c\/strong\u003e — Precise color matching for reintegration\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDecoration and architecture\u003c\/strong\u003e — Surfaces and murals, interior and exterior\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArt education\u003c\/strong\u003e — Workshops and color instruction\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eIncludes\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e5 Sirius primaries + white + black (85 ml)\u003c\/li\u003e\n\n\u003cli\u003eMixing palette\u003c\/li\u003e\n\n\u003cli\u003eEmpty mixing cup\u003c\/li\u003e\n\n\u003cli\u003ePractical brochure\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eNot sure which one to choose? \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eContact us\u003c\/a\u003e. Available at \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e · \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e\u003c\/p\u003e","brand":"Lascaux","offers":[{"title":"Default Title","offer_id":53183157338459,"sku":"LSET-SIRIUS-ACR-7x85","price":118.76,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/innovart.art-materiales-conservacion-restauracion_98.png?v=1780221665"},{"product_id":"lascaux-estuche-sirius-acrilico-7x30","title":"Lascaux Sirius® Acrylic — Set 7 × 30 ml","description":"\u003cp\u003e\u003cstrong\u003eLascaux Sirius® Acrylic Case\u003c\/strong\u003e in a compact format with the \u003cstrong\u003efive primary colors plus black and white\u003c\/strong\u003e in 30 ml bottles, a palette, a mixing container, and a brochure. The Sirius primary system allows you to mix over 78,000 pure shades.\u003c\/p\u003e\u003ch3\u003eWhy choose this case?\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eComplete primary system\u003c\/strong\u003e — 5 primaries + black and white to create +78,000 shades\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eExceptional purity\u003c\/strong\u003e — Mixtures of maximum saturation and luminosity\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSemi-opaque and buttery\u003c\/strong\u003e — Deep matte finish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCompact format (30 ml)\u003c\/strong\u003e — Practical for studio, travel, and beginners\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eReady-to-mix kit\u003c\/strong\u003e — Palette + container + practical brochure\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eUses and applications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFine arts\u003c\/strong\u003e — Painting and color theory in practice\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eConservation and restoration\u003c\/strong\u003e — Precise tone mixing for reintegration\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDecoration and architecture\u003c\/strong\u003e — Surfaces, interior and exterior\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtistic education\u003c\/strong\u003e — Workshops and color teaching\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eIncludes\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e5 Sirius primaries + white + black (30 ml)\u003c\/li\u003e\n\n\u003cli\u003eMixing palette\u003c\/li\u003e\n\n\u003cli\u003eEmpty mixing container\u003c\/li\u003e\n\n\u003cli\u003ePractical brochure\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eDo you have questions about which one to choose? \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eWrite to us\u003c\/a\u003e. Available at \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e · \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e\u003c\/p\u003e","brand":"Lascaux","offers":[{"title":"Default Title","offer_id":53183157371227,"sku":"LSET-SIRIUS-ACR-7x30","price":48.91,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/innovart.art-materiales-conservacion-restauracion-2026-05-31T123116.293.png?v=1780223488"},{"product_id":"lascaux-estuche-limited-beginner","title":"Lascaux Set Limited Edition \"Beginner\"","description":"\u003cp\u003e\u003cstrong\u003eLascaux \"Beginner\" Limited Edition\u003c\/strong\u003e: a selection of \u003cstrong\u003eLascaux Studio\u003c\/strong\u003e acrylic paints and brushes, presented in a \u003cstrong\u003ehandcrafted wooden box\u003c\/strong\u003e. A special set that also works as a professional gift.\u003c\/p\u003e\u003ch3\u003eWhy choose this set?\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLimited Edition\u003c\/strong\u003e — Handcrafted wooden box, customizable\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eStudio Colors + brushes\u003c\/strong\u003e — Everything you need to start painting\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eProfessional Fine Acrylic\u003c\/strong\u003e — Opaque, intense, and lightfast\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eIdeal for gifting\u003c\/strong\u003e — Carefully and exclusively presented\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eUses and applications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eIntroduction to fine arts\u003c\/strong\u003e — Complete kit to get started\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFine arts\u003c\/strong\u003e — Easel painting and studio work\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDecoration and architecture\u003c\/strong\u003e — Murals and surfaces, indoors and outdoors\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eProfessional gift\u003c\/strong\u003e — For artists and enthusiasts\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eHave questions about which one to choose? \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eWrite to us\u003c\/a\u003e. Available at \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e · \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e\u003c\/p\u003e","brand":"Lascaux","offers":[{"title":"Default Title","offer_id":53183160680795,"sku":"LSET-BEGINNER","price":248.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/3930_Limited-Edition_Beginner.png?v=1783162280"},{"product_id":"lascaux-estuche-modelling-pastes-impasto","title":"Lascaux Modelling Pastes \u0026 Impasto Gels — Set 6 × 50 ml","description":"\u003cp\u003e\u003cstrong\u003eLascaux Modelling Pastes \u0026amp; Impasto Gels Set\u003c\/strong\u003e with a selection of \u003cstrong\u003esix different products\u003c\/strong\u003e in 50 ml jars. For creating texture, impasto and relief in acrylic artwork.\u003c\/p\u003e\u003ch3\u003eWhy choose this set?\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003e6 pastes and gels\u003c\/strong\u003e — Different textures, from smooth to very rough\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFor impasto and relief\u003c\/strong\u003e — Body and volume in painting\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAcrylic base\u003c\/strong\u003e — Compatible with Lascaux colors\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePractical format (50 ml)\u003c\/strong\u003e — Ideal for experimenting with textures\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eUses and applications\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eFine arts\u003c\/strong\u003e — Texture, impasto and mixed media\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eConservation and restoration\u003c\/strong\u003e — Surface preparation and filling\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eDecoration\u003c\/strong\u003e — Finishes with relief and volume\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTraining\u003c\/strong\u003e — Acrylic technique workshops\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eIncludes (50 ml)\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e2050 Modelling Paste A (smooth)\u003c\/li\u003e\n\n\u003cli\u003e2051 Modelling Paste B (rough)\u003c\/li\u003e\n\n\u003cli\u003e2023 Modelling Paste C (very rough)\u003c\/li\u003e\n\n\u003cli\u003e2052 Structura\u003c\/li\u003e\n\n\u003cli\u003eand other impasto gels\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eNot sure which one to choose? \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eContact us\u003c\/a\u003e. Available at \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e · \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e\u003c\/p\u003e","brand":"Lascaux","offers":[{"title":"Default Title","offer_id":53183163924827,"sku":"LSET-PASTES","price":58.85,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/innovart.art-materiales-conservacion-restauracion_96.png?v=1780220179"},{"product_id":"lascaux-studio-bronze","title":"Lascaux Studio Bronze — Professional Metallic Acrylic","description":"\u003ch2\u003eLascaux Studio Bronze — acrylic with real metal alloys, in 8 shades\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eLascaux Studio Bronze Original\u003c\/strong\u003e is a range of \u003cstrong\u003e8 metallic acrylic colors\u003c\/strong\u003e made in Switzerland: pure acrylic resins with \u003cstrong\u003estabilized, lightfast metal alloys\u003c\/strong\u003e. It gives a distinct metallic shine with high coverage, has a viscous, smooth and soft consistency, is diluted with water and dries to a \u003cstrong\u003esatin-matte, flexible and water-resistant\u003c\/strong\u003e film. It contains real metal—brass, copper, aluminum or iron-chromium, depending on the color—and that is what sets it apart from \u003ca href=\"\/en\/products\/lascaux-artist-metallics\"\u003eLascaux Artist Metallics\u003c\/a\u003e, made with mineral effect pigments.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is it used for?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eArt, design and decoration:\u003c\/strong\u003e surfaces and pieces with a high-coverage metallic finish.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInterior design and architecture:\u003c\/strong\u003e large surfaces and interior wall design. Manufacturer’s reference: the interior color design by the artist Carmen Perrin for the Alhambra Theatre in Geneva (2014).\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFrame making.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutdoors, with 995 Aluminum and 997 Steel:\u003c\/strong\u003e these are the two shades the manufacturer specifies for outdoor use, with mandatory protection with Lascaux Transparent Varnish UV (a transparent varnish with an ultraviolet filter). The gold shades, the copper and the Britannia silver work indoors.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy choose Lascaux Studio Bronze?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eGenuine metal alloys, declared color by color:\u003c\/strong\u003e gold shades 990-993, brass (copper and zinc); 994, copper; 995, aluminum; 996 and 997, iron-chromium. 996 also contains the pigments PW20, PW6, PR101 and PW15 (\u003cem\u003eColour Index\u003c\/em\u003e codes: PW = pigment white, PR = pigment red).\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLightfast\u003c\/strong\u003e (maximum lightfastness, *** in all 8 colors) and non-browning, according to the manufacturer, who recommends protecting them with Lascaux Transparent Varnish diluted 4:1 with water against abrasion, humidity and oxidation.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHigh coverage, highly concentrated and high-yielding.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEven, flexible and water-resistant satin-matte film\u003c\/strong\u003e once dry.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOptimal adhesion\u003c\/strong\u003e to practically any clean, non-alkaline surface.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePackaging and storage\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePackaging: \u003cstrong\u003e85 ml, 250 ml and 500 ml bottles and 5 l bucket\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eColors: \u003cstrong\u003egold tones\u003c\/strong\u003e 990 Rich Pale Gold · 991 Pale Gold · 992 Dark Gold · 993 English Green Gold · 994 Copper · 996 Britannia Silver; \u003cstrong\u003esilver tones\u003c\/strong\u003e 995 Aluminum · 997 Steel. “Pale gold”, “Britannia silver” and “steel” are shade names: the metal in each one is the one stated above.\u003c\/li\u003e\n\u003cli\u003eStorage: in containers of the same material as the original, dry and cool, away from heat and direct sunlight. Shades 990 to 995, away from oxidizing agents and from strongly acidic or alkaline materials.\u003c\/li\u003e\n\u003cli\u003eProduct residues: disposed of as waste; those of shades 990 to 995, without letting them reach drains or surface water.\u003c\/li\u003e\n\u003cli\u003eShelf life: \u003cstrong\u003etwo years of storage stability\u003c\/strong\u003e (manufacturer).\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eMade in Switzerland by Lascaux Colours \u0026amp; Restauro.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eHow to work with it\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eApplication:\u003c\/strong\u003e with any painting tool, straight from the container or diluted with water.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMixing within its group:\u003c\/strong\u003e the gold tones (990, 991, 992, 993, 994 and 996) mix with each other, and the silver tones (995 and 997) with each other. Studio Bronze is used without other Lascaux colors or mediums: this is what the manufacturer specifies to preserve its stability.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTo mix the metallic with other colors,\u003c\/strong\u003e \u003ca href=\"\/en\/products\/lascaux-artist-metallics\"\u003eLascaux Artist Metallics\u003c\/a\u003e, which the manufacturer declares intermixable and mixable with transparent and semi-transparent Lascaux Artist colors.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBase:\u003c\/strong\u003e clean, non-alkaline surfaces. Depending on the absorbency and texture required, Lascaux specifies its primers and modelling pastes, for rigid and flexible bases, such as \u003ca href=\"\/en\/products\/lascaux-modelling-paste-a\"\u003eLascaux Modelling Paste A\u003c\/a\u003e or \u003ca href=\"\/en\/products\/lascaux-modelling-paste-b-natural\"\u003eLascaux Modelling Paste B\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eProtection:\u003c\/strong\u003e the dry film is water-resistant; to make it rub-resistant as well, Lascaux specifies protecting it with Lascaux Transparent Varnish diluted 4:1 with water, which protects it against abrasion, humidity and oxidation.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVarnishing:\u003c\/strong\u003e once the paint is thoroughly dry, at least 24 hours, and in a dry environment free from cold, so that the varnish dries at its own pace and the gold shades, the copper and the Britannia silver keep their color. In humid or cold conditions the varnish dries too slowly and those shades may turn greenish.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eField of use:\u003c\/strong\u003e Lascaux intends Studio Bronze for art, design, decoration, architecture and frame making. To reintegrate gilding or color on original works or historic frames, write to us and we will point you to C\u0026amp;R (Conservation-Restoration) materials.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSafety information\u003c\/h3\u003e\u003cp\u003eManufacturer’s classification according to Regulation (EC) No 1272\/2008, known as CLP (classification, labelling and packaging of substances and mixtures). GHS is the Globally Harmonised System of hazard pictograms; H statements are hazard statements, P statements are precautionary statements and EUH statements are supplemental EU hazard statements. \u003cstrong\u003eThe classification depends on the color.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e990 Rich Pale Gold and 993 English Green Gold\u003c\/strong\u003e — Pictogram: GHS09 (environment). Signal word: Warning.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eH400: Very toxic to aquatic life.\u003c\/li\u003e\u003cli\u003eH411: Toxic to aquatic life with long lasting effects.\u003c\/li\u003e\u003cli\u003eP273: Avoid release to the environment.\u003c\/li\u003e\u003cli\u003eP391: Collect spillage.\u003c\/li\u003e\u003cli\u003eP501: Dispose of contents\/container to …\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003e991 Pale Gold and 992 Dark Gold\u003c\/strong\u003e — Pictogram: GHS09 (environment). Signal word: Warning.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eH410: Very toxic to aquatic life with long lasting effects.\u003c\/li\u003e\u003cli\u003eP273: Avoid release to the environment.\u003c\/li\u003e\u003cli\u003eP391: Collect spillage.\u003c\/li\u003e\u003cli\u003eP501: Dispose of contents\/container to …\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003e994 Copper\u003c\/strong\u003e — No pictogram and no signal word.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eH412: Harmful to aquatic life with long lasting effects.\u003c\/li\u003e\u003cli\u003eP273: Avoid release to the environment.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003e995 Aluminum, 996 Britannia Silver and 997 Steel\u003c\/strong\u003e — Not classified as hazardous by the manufacturer.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAll eight colors also carry the supplemental hazard statement EUH208:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003e\u003cstrong\u003e990, 991, 995, 996 and 997:\u003c\/strong\u003e EUH208: Contains 1,2-benzisothiazol-3(2H)-one and reaction mass of 5-chloro-2-methyl-4-isothiazolin-3-one and 2-methyl-2H-isothiazol-3-one (3:1). May produce an allergic reaction.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003e992 and 993:\u003c\/strong\u003e EUH208: Contains fatty acids, tall-oil, maleated, with triethanolamine (EC No 309-692-1), 1,2-benzisothiazol-3(2H)-one and reaction mass of 5-chloro-2-methyl-4-isothiazolin-3-one and 2-methyl-2H-isothiazol-3-one (3:1). May produce an allergic reaction.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003e994:\u003c\/strong\u003e EUH208: Contains 1,2-benzisothiazol-3(2H)-one, 2-methyl-2H-isothiazol-3-one and reaction mass of 5-chloro-2-methyl-4-isothiazolin-3-one and 2-methyl-2H-isothiazol-3-one (3:1). May produce an allergic reaction.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eManufacturer’s safety data sheets (in English): \u003ca href=\"https:\/\/lascaux.ch\/dbFile\/3880\/u-5907\/Lascaux_990_Studio%20Bronze%20Original%20Rich%20pale%20gold_E.pdf\" target=\"_blank\" rel=\"noopener\"\u003e990\u003c\/a\u003e · \u003ca href=\"https:\/\/lascaux.ch\/dbFile\/3879\/u-2115\/Lascaux_991_Studio%20Bronze%20Original%20Pale%20gold_E.pdf\" target=\"_blank\" rel=\"noopener\"\u003e991\u003c\/a\u003e · \u003ca href=\"https:\/\/lascaux.ch\/dbFile\/3892\/u-2f19\/Lascaux_992_Studio%20Bronze%20Original%20Deep%20gold_E.pdf\" target=\"_blank\" rel=\"noopener\"\u003e992\u003c\/a\u003e · \u003ca href=\"https:\/\/lascaux.ch\/dbFile\/3891\/u-1577\/Lascaux_993_Studio%20Bronze%20Original%20English%20green%20gold_E.pdf\" target=\"_blank\" rel=\"noopener\"\u003e993\u003c\/a\u003e · \u003ca href=\"https:\/\/lascaux.ch\/dbFile\/3890\/u-df15\/Lascaux_994_Studio%20Bronze%20Original%20Copper_E.pdf\" target=\"_blank\" rel=\"noopener\"\u003e994\u003c\/a\u003e · \u003ca href=\"https:\/\/lascaux.ch\/dbFile\/5169\/u-fc59\/Lascaux_995_Studio%20Bronze%20Original%20Aluminium_E.pdf\" target=\"_blank\" rel=\"noopener\"\u003e995\u003c\/a\u003e · \u003ca href=\"https:\/\/lascaux.ch\/dbFile\/3887\/u-b1ba\/Lascaux_996_Studio%20Bronze%20Original%20Britannia%20silver_FeCr%20PW20PW6PW15_E.pdf\" target=\"_blank\" rel=\"noopener\"\u003e996\u003c\/a\u003e · \u003ca href=\"https:\/\/lascaux.ch\/dbFile\/3886\/u-d779\/Lascaux_997_Studio%20Bronze%20Original%20Stay%20steel_FeCr_E.pdf\" target=\"_blank\" rel=\"noopener\"\u003e997\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eFrequently asked questions\u003c\/h3\u003e\n\u003cdiv class=\"innv-faq\"\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat metal does each color contain?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eEach color, its own alloy: the gold shades 990-993 are brass (copper and zinc); 994, copper; 995, aluminum; 996 and 997, iron-chromium, and 996 also contains the pigments PW20, PW6, PR101 and PW15. “Pale gold”, “Britannia silver” and “steel” are shade names, not the name of the metal.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhich colors can be mixed with each other?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eThose in the same group. Gold tones with gold tones: 990, 991, 992, 993, 994 (copper) and 996 (Britannia silver). Silver tones with silver tones: 995 and 997. Studio Bronze is used without other Lascaux colors or mediums: this is what the manufacturer specifies to preserve its stability.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eStudio Bronze or Artist Metallics?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003e\u003cstrong\u003eStudio Bronze\u003c\/strong\u003e when the piece calls for real metal alloys with high coverage, used neat or with water. \u003ca href=\"\/en\/products\/lascaux-artist-metallics\"\u003eLascaux Artist Metallics\u003c\/a\u003e (also available as a \u003ca href=\"\/en\/products\/lascaux-estuche-artist-metallics\"\u003eset\u003c\/a\u003e) when the metallic needs to be mixed with other colors: they are mineral effect pigments, intermixable and mixable with transparent and semi-transparent Lascaux Artist colors. If you are after leaf instead of paint, the \u003ca href=\"\/en\/products\/hoja-de-imitacion-oro-14-14-cm-25-hojas-divolo-firenze\"\u003eDivolo Firenze imitation gold leaf\u003c\/a\u003e is another technique.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eHow is it applied and what is it diluted with?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eWith any painting tool, straight from the container or diluted with water. It dries to a satin-matte, flexible and water-resistant film.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhich shades are used outdoors?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003e995 Aluminum and 997 Steel, with mandatory protection with Lascaux Transparent Varnish UV, according to the manufacturer. The gold shades, the copper and the Britannia silver work indoors. For a gold shade outdoors, Lascaux declares its \u003ca href=\"\/en\/products\/lascaux-artist-metallics\"\u003eArtist Metallics\u003c\/a\u003e suitable for indoor and outdoor use.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eHow is it varnished indoors?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eLascaux specifies Transparent Varnish diluted 4:1 with water, which protects the film against rubbing, abrasion, humidity and oxidation. Varnish once the paint is thoroughly dry, at least 24 hours, in a dry environment free from cold. In humid or cold conditions the varnish dries too slowly and the gold shades, the copper and the Britannia silver may turn greenish.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat surfaces can it be used on?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003ePractically any clean, non-alkaline surface. To prepare the base according to the absorbency and texture required, Lascaux specifies its primers and modelling pastes, such as \u003ca href=\"\/en\/products\/lascaux-modelling-paste-a\"\u003eModelling Paste A\u003c\/a\u003e or \u003ca href=\"\/en\/products\/lascaux-modelling-paste-b-natural\"\u003eModelling Paste B\u003c\/a\u003e.\u003c\/div\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhat kind of frame work is it used for?\u003c\/summary\u003e\u003cdiv class=\"innv-faq__a\"\u003eFrame making, one of the uses Lascaux specifies alongside art, design, decoration and architecture. To reintegrate gilding or color on an original work, a historic frame or an altarpiece, write to us and we will point you to C\u0026amp;R materials.\u003c\/div\u003e\u003c\/details\u003e\n\u003c\/div\u003e\n\n\u003cp\u003e\u003cstrong\u003eAny questions?\u003c\/strong\u003e Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e, visit \u003ca href=\"https:\/\/innovart.art\/en\"\u003einnovart.art\u003c\/a\u003e or email us at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e and we will advise you.\u003c\/p\u003e\n\n\u003cstyle\u003e.innv-faq{margin-top:8px;}.innv-faq details{border:1px solid #e5e2dc;border-radius:8px;margin:0 0 10px;background:#fff;}.innv-faq summary{cursor:pointer;list-style:none;padding:14px 46px 14px 16px;position:relative;font-weight:700;}.innv-faq summary::-webkit-details-marker{display:none;}.innv-faq summary::after{content:'+';position:absolute;right:16px;top:50%;transform:translateY(-50%);font-size:1.4em;line-height:1;color:#00494f;}.innv-faq details[open] summary::after{content:'\\2013';}.innv-faq details[open] summary{border-bottom:1px solid #efece6;}.innv-faq summary:hover{background:#faf8f5;}.innv-faq__a{padding:12px 16px 16px;margin:0;}\u003c\/style\u003e","brand":"Lascaux","offers":[{"title":"990 Rich pale gold \/ 85 mL","offer_id":53183658623323,"sku":"LBRONZE-990-85ml","price":17.79,"currency_code":"EUR","in_stock":true},{"title":"990 Rich pale gold \/ 250 ml","offer_id":53183658656091,"sku":"LBRONZE-990-250ml","price":35.58,"currency_code":"EUR","in_stock":true},{"title":"990 Rich pale gold \/ 500 ml","offer_id":53183658688859,"sku":"LBRONZE-990-500ml","price":60.45,"currency_code":"EUR","in_stock":true},{"title":"991 Pale gold \/ 85 mL","offer_id":53183658721627,"sku":"LBRONZE-991-85ml","price":17.79,"currency_code":"EUR","in_stock":true},{"title":"991 Pale gold \/ 250 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Creamy texture, in a 60 ml tube.\u003c\/p\u003e\n\u003ch3\u003eWhy choose MIR Extra-Fine Acrylics?\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eArtist-grade pigments with high lightfastness and great luminosity.\u003c\/li\u003e\n\n\u003cli\u003ePure acrylic resin: once dry, it is completely waterproof.\u003c\/li\u003e\n\n\u003cli\u003eFlexible film that does \u003cstrong\u003enot yellow\u003c\/strong\u003e over time and has excellent adhesion.\u003c\/li\u003e\n\n\u003cli\u003eCreamy, opaque texture with good coverage. 44 colors.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eUses and Applications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtistic painting:\u003c\/strong\u003e acrylic on canvas, board, paper, and most non-greasy surfaces.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eConservation-restoration of contemporary artwork:\u003c\/strong\u003e reintegration and retouching in acrylic paintings, where medium compatibility with the original is sought.\u003c\/li\u003e\n\n\u003cli\u003eMixed media, color base, illustration, and mock-ups.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eInstructions for Use and Precautions\u003c\/h3\u003e\n\u003cp\u003eDries within minutes to hours depending on humidity, temperature, and film thickness. Precautions: close containers once opened; wash tools before the paint dries, with running water or by submerging them in it; paint on non-greasy surfaces.\u003c\/p\u003e\n\u003ch3\u003eSafety\u003c\/h3\u003e\n\u003cp\u003eLow-risk product under normal use. Some colors (cadmiums, cobalt) contain pigments with hazard classification; consult the safety data sheet (SDS) for the corresponding color and avoid ingestion. Keep out of reach of children.\u003c\/p\u003e\n\u003ch3\u003eDo you have questions? Write to us\u003c\/h3\u003e\n\u003cp\u003eWe help you choose the right color for your artwork. \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e · \u003ca href=\"https:\/\/innovart.art\" target=\"_blank\" rel=\"noopener\"\u003einnovart.art\u003c\/a\u003e · \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e\u003c\/p\u003e\u003ch3\u003eSafety\u003c\/h3\u003e\n\u003cp\u003eManufacturer's classification (MIR Extra-Fine Creamy Acrylic safety data sheets, version 4\/5, 16\/12\/2019). Some colors in this range are classified; the classification depends on the color.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHazard classes and categories (depending on color):\u003c\/strong\u003e Skin sensitization, category 1 (colors with H317, warning word \u003cstrong\u003eWarning\u003c\/strong\u003e) · and\/or Hazardous to the aquatic environment — chronic hazard, category 2 or 3 (H411 \/ H412).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePictograms:\u003c\/strong\u003e GHS07 (exclamation mark) for sensitizing colors (H317). GHS09 (environment) on colors with H411 (chronic 2). Colors classified only with H412 (chronic 3) carry no pictogram. Unclassified colors have none.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eH317\u003c\/strong\u003e — May cause an allergic skin reaction. \u003cem\u003e(sensitizing colors)\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eH411\u003c\/strong\u003e — Toxic to aquatic life with long lasting effects. \u003cem\u003e(some colors)\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eH412\u003c\/strong\u003e — Harmful to aquatic life with long lasting effects. \u003cem\u003e(some colors)\u003c\/em\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePrecautionary statements:\u003c\/strong\u003e P261 Avoid breathing dust\/fume\/gas\/mist\/vapours\/spray · P272 Contaminated work clothing should not be allowed out of the workplace · P273 Avoid release to the environment · P280 Wear protective gloves\/protective clothing\/eye protection\/face protection · P302+P352 IF ON SKIN: Wash with plenty of water · P333+P313 If skin irritation or rash occurs: Get medical advice\/attention · P501 Dispose of contents\/container in accordance with hazardous waste regulations or packaging and packaging waste regulations respectively.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupplemental information:\u003c\/strong\u003e Several colors contain sensitizing substances (EUH208). 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This ensures excellent permanence, lightfastness, and maximum chromatic intensity, ideal for clean and precise mixes. They can be applied with a brush, roller, palette knife, or airbrush, proportionally diluted with distilled water and a drying retarder. Unalterable once dry, they offer a satin finish. MIR Paints has been manufacturing art colors in Spain since 1933.\u003c\/p\u003e\n\u003cp\u003eThis range includes the \u003cstrong\u003ewhites, yellows, and earth tones\u003c\/strong\u003e of GARVI Studio Acrylic. Choose the \u003cstrong\u003ecolor\u003c\/strong\u003e and \u003cstrong\u003esize\u003c\/strong\u003e (200 ml, 500 ml, 1 L, or 5 L) from the same drop-down menu.\u003c\/p\u003e\n\u003ch3\u003eWhy choose GARVI Studio Acrylic?\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003ePure acrylic emulsions: good permanence and lightfastness.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eMaximum chromatic intensity\u003c\/strong\u003e for clean mixes.\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cstrong\u003eSatin\u003c\/strong\u003e finish, unalterable once dry.\u003c\/li\u003e\n\n\u003cli\u003eWide range of sizes: \u003cstrong\u003e200 ml, 500 ml, 1 L, and 5 L\u003c\/strong\u003e (ideal for classes and large formats).\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eUses and applications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eArtistic acrylic paint:\u003c\/strong\u003e on canvas, wood panel, paper, cardboard, and most non-greasy surfaces.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eIntroduction and teaching:\u003c\/strong\u003e excellent quality\/price ratio for learning and working on a large scale.\u003c\/li\u003e\n\n\u003cli\u003eColor base, backgrounds, illustration, mural, and mixed media.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eInstructions for use and precautions\u003c\/h3\u003e\n\u003cp\u003eDilute with distilled water; for airbrush, add drying retarder. Wash brushes and tools with running water \u003cstrong\u003ebefore\u003c\/strong\u003e the paint dries. Paint on clean, non-greasy surfaces.\u003c\/p\u003e\n\u003ch3\u003eSafety\u003c\/h3\u003e\n\u003cp\u003eLow-risk product in normal use. Studio range formulated with \"hue\" pigments (imitations) in colors that in other lines would be cadmium or cobalt. Keep out of reach of children and avoid ingestion.\u003c\/p\u003e\n\u003ch3\u003eDo you have questions? Write to us\u003c\/h3\u003e\n\u003cp\u003eWe help you choose the right color and size. \u003ca href=\"https:\/\/wa.me\/34614504565\" target=\"_blank\" rel=\"noopener\"\u003eWhatsApp\u003c\/a\u003e · \u003ca href=\"https:\/\/innovart.art\" target=\"_blank\" rel=\"noopener\"\u003einnovart.art\u003c\/a\u003e · \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e\u003c\/p\u003e","brand":"MIR","offers":[{"title":"Titanium White \/ 200 ml","offer_id":53276535259483,"sku":"0901200","price":11.16,"currency_code":"EUR","in_stock":true},{"title":"Titanium White \/ 500 ml","offer_id":53276535292251,"sku":"0903200","price":20.13,"currency_code":"EUR","in_stock":true},{"title":"Titanium White \/ 1 L","offer_id":53276535325019,"sku":"0908200","price":39.33,"currency_code":"EUR","in_stock":true},{"title":"Titanium White \/ 5 L","offer_id":53276535357787,"sku":"0907200","price":137.58,"currency_code":"EUR","in_stock":true},{"title":"Zinc White \/ 200 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This ensures excellent permanence, lightfastness, and maximum chromatic intensity, ideal for clean and precise mixes. They can be applied with a brush, roller, palette knife, or airbrush, proportionally diluted with distilled water and a drying retarder. Unalterable once dry, they offer a satin finish. Pinturas MIR has been manufacturing artist colors in Spain since 1933.\u003c\/p\u003e\n\u003cp\u003eThis range includes the \u003cstrong\u003eblues, greens, and violets\u003c\/strong\u003e of GARVI Studio Acrylic. 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An economical, lightweight, and stable alternative to stretched canvases, perfect for studio work, plein air studies, and color sketches.\u003c\/p\u003e\u003ch3\u003eWhy choose these boards?\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003ePrimed canvas surface: grips color from the first layer.\u003c\/li\u003e\n\n\u003cli\u003eRigid and lightweight: easy to transport and store.\u003c\/li\u003e\n\n\u003cli\u003eEight formats from 1F to 10F for every need.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eUses and Applications\u003c\/h3\u003e\u003cp\u003eOil and acrylic painting, color studies, plein air painting, classroom exercises, and technical tests. Select the size from the dropdown menu.\u003c\/p\u003e\u003ch3\u003eQuestions? Write to us\u003c\/h3\u003e\u003cp\u003eWe'll help you choose. Write to us via \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eWhatsApp\u003c\/a\u003e, at \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e, or to info@innovart.art.\u003c\/p\u003e","brand":"MIR","offers":[{"title":"1F · 22 × 16 cm","offer_id":53280483705179,"sku":"1201001","price":3.03,"currency_code":"EUR","in_stock":true},{"title":"2F · 24 × 19 cm","offer_id":53280483737947,"sku":"1201002","price":3.32,"currency_code":"EUR","in_stock":true},{"title":"3F · 27 × 22 cm","offer_id":53280483770715,"sku":"1201003","price":3.7,"currency_code":"EUR","in_stock":true},{"title":"4F · 34 × 24 cm","offer_id":53280483803483,"sku":"1201004","price":4.43,"currency_code":"EUR","in_stock":true},{"title":"5F · 35 × 27 cm","offer_id":53280483836251,"sku":"1201005","price":5.52,"currency_code":"EUR","in_stock":true},{"title":"6F · 41 × 33 cm","offer_id":53280483869019,"sku":"1201006","price":6.51,"currency_code":"EUR","in_stock":true},{"title":"8F · 46 × 38 cm","offer_id":53280483901787,"sku":"1201008","price":8.7,"currency_code":"EUR","in_stock":true},{"title":"10F · 55 × 46 cm","offer_id":53280483934555,"sku":"1201010","price":11.18,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/cartones-entelados-mir-innovart.jpg?v=1780592262"},{"product_id":"paletas-madera-mir-bellas-artes","title":"MIR Wooden Palettes — Rectangular and Oval","description":"\u003cp\u003eMIR cured wood palettes, prepared to resist paint and solvents without warping over time. Available in rectangular and oval shapes, with a natural or oiled finish, and in a large Professional model.\u003c\/p\u003e\u003ch3\u003eWhy choose these palettes?\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCured and prepared wood:\u003c\/strong\u003e does not bend or deteriorate with use.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eResistant\u003c\/strong\u003e to oils, mediums, and solvents.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eVarious formats and shapes\u003c\/strong\u003e for every technique and hand.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eUses and applications\u003c\/h3\u003e\u003cp\u003eMixing oil and acrylic colors on an easel or table. Its wooden surface can be used to compose the palette in artistic painting or to adjust restoration or retouching tones. The oiled version is sealed for easier cleaning; the natural version allows for preparation to the artist's liking. Choose model and size from the dropdown menu.\u003c\/p\u003e\u003ch3\u003eDo you have questions? Write to us\u003c\/h3\u003e\u003cp\u003eWe'll help you choose. Write to us via \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eWhatsApp\u003c\/a\u003e, at \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e or at info@innovart.art.\u003c\/p\u003e","brand":"MIR","offers":[{"title":"Oiled rectangular · 16 × 25 cm","offer_id":53280484655451,"sku":"4001002","price":5.86,"currency_code":"EUR","in_stock":true},{"title":"Rectangular oiled · 22 × 28 cm","offer_id":53280484688219,"sku":"4001003","price":6.59,"currency_code":"EUR","in_stock":true},{"title":"Rectangular natural · 24 × 30 cm","offer_id":53280484720987,"sku":"4001004","price":4.15,"currency_code":"EUR","in_stock":true},{"title":"Natural rectangular · 30 × 40 cm","offer_id":53280484753755,"sku":"4001005","price":6.11,"currency_code":"EUR","in_stock":true},{"title":"Rectangular oiled · 29 × 38 cm","offer_id":53280484786523,"sku":"4001006","price":9.78,"currency_code":"EUR","in_stock":true},{"title":"Oval natural · 24 × 30 cm","offer_id":53280484819291,"sku":"4002004","price":4.27,"currency_code":"EUR","in_stock":true},{"title":"Oval natural · 30 × 40 cm","offer_id":53280484852059,"sku":"4002005","price":6.32,"currency_code":"EUR","in_stock":true},{"title":"Professional · 31 × 49 cm","offer_id":53280484884827,"sku":"4002006","price":25.03,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/paleta-rectangular-mir-innovart.jpg?v=1780593535"},{"product_id":"cajas-academia-maletin-haya-mir","title":"MIR Beechwood Easel Box — Oil, Acrylic, and Watercolor","description":"\u003cp\u003eAcademia MIR Box: a premium beechwood case with stainless steel fittings, bringing together everything needed for painting in one kit. 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Write to us via \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eWhatsApp\u003c\/a\u003e, at \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e, or at info@innovart.art.\u003c\/p\u003e","brand":"MIR","offers":[{"title":"Oil No. 4 VII","offer_id":53280485081435,"sku":"3001022","price":93.3,"currency_code":"EUR","in_stock":true},{"title":"Acrylic No. 4 VII","offer_id":53280485114203,"sku":"3001023","price":93.3,"currency_code":"EUR","in_stock":true},{"title":"Watercolor","offer_id":53280485146971,"sku":"3001024","price":62.48,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/caja-academia-maletin-haya-mir-oleo-innovart.jpg?v=1780669955"},{"product_id":"champu-limpiapinceles-mir","title":"MIR Brush Cleaner Shampoo — Solvent-Free","description":"\u003cp\u003eFormulated for cleaning and caring for brushes. Its use extends their lifespan. 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Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eWhatsApp\u003c\/a\u003e, at \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e, or at info@innovart.art.\u003c\/p\u003e\u003ch3\u003eSafety\u003c\/h3\u003e\n\u003cp\u003eManufacturer's classification (safety data sheet MIR Brush Cleaning Shampoo, version 3, 13\/12\/2019). 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Write to us on \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eWhatsApp\u003c\/a\u003e, at \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e or at info@innovart.art.\u003c\/p\u003e\u003ch3\u003eSafety\u003c\/h3\u003e\n\u003cp\u003eManufacturer's classification (MIR Gesso 1 Coat safety data sheet, version 6, 12\/16\/2019). 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Message us on \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eWhatsApp\u003c\/a\u003e, at \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e or to info@innovart.art.\u003c\/p\u003e","brand":"MIR","offers":[{"title":"Default Title","offer_id":53298009669979,"sku":"0311003","price":14.39,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/medium-acrilico-mir-innovart.jpg?v=1780645932"},{"product_id":"glaze-medium-veladuras-acrilico-mir","title":"MIR Glaze — Glazing Medium and Acrylic Retarder","description":"\u003cp\u003eEspecially for creating glazes, washes, and floated colors without needing to add large amounts of mediums. 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Contact us via \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eWhatsApp\u003c\/a\u003e, at \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e, or at info@innovart.art.\u003c\/p\u003e\u003ch3\u003eSafety\u003c\/h3\u003e\n\u003cp\u003eManufacturer's classification (MIR Glaze Acrylic Glazing Medium safety data sheet, version 2, 01\/03\/2019). Warning word: \u003cstrong\u003eWarning\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHazard classes and categories:\u003c\/strong\u003e Acute toxicity (oral), category 4.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePictograms:\u003c\/strong\u003e GHS07 (exclamation mark).\u003c\/p\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eH302\u003c\/strong\u003e — Harmful if swallowed.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePrecautionary statements:\u003c\/strong\u003e P264 Wash hands thoroughly after handling · P270 Do not eat, drink or smoke when using this product · P301+P312 IF SWALLOWED: Call a POISON CENTER\/doctor if you feel unwell · P330 Rinse mouth · P501 Dispose of contents\/container in accordance with hazardous waste or packaging and packaging waste regulations respectively.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupplementary information:\u003c\/strong\u003e Contains ethanediol (ethylene glycol).\u003c\/p\u003e\n\u003cp\u003eComplete safety data sheet available upon request at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e.\u003c\/p\u003e","brand":"MIR","offers":[{"title":"Default Title","offer_id":53298012881243,"sku":"0354002","price":7.82,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/glaze-mir-innovart.jpg?v=1780645934"},{"product_id":"pastas-textura-acrilica-mir","title":"MIR Acrylic Texture Pastes — Modeling and Texturizing","description":"\u003cp\u003eAcrylic pastes for creating artistic quality textures and reliefs, flexible and with great adhesion. They can be mixed with acrylic paints or applied as a base. Choose the paste according to the effect you want to achieve.\u003c\/p\u003e\u003ch3\u003eWhy choose these pastes?\u003c\/h3\u003e\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eModeling Paste:\u003c\/strong\u003e once dry, it is completely flexible, does not crack, and is waterproof; it can be applied on any clean surface, without breaking over time.\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTexturizer:\u003c\/strong\u003e paste with inert solid that creates a grainy, stone-like texture; it allows for thick layers and reliefs and prevents cracking.\u003c\/li\u003e\n\n\u003cli\u003eGreat adhesion and flexibility; can be worked with a palette knife, brush, or stencil.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch3\u003eUses and applications\u003c\/h3\u003e\u003cp\u003eReliefs, impastos, and textures in acrylic work on canvas, wood, glass, metal, etc. To reduce its viscosity, mix with MIR Acrylic Medium. Choose the type of paste from the dropdown menu.\u003c\/p\u003e\u003ch3\u003eDo you have questions? Write to us\u003c\/h3\u003e\u003cp\u003eWe'll help you choose. Write to us via \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eWhatsApp\u003c\/a\u003e, at \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e or at info@innovart.art.\u003c\/p\u003e","brand":"MIR","offers":[{"title":"Modeling Paste · 500 ml","offer_id":53298016059739,"sku":"0326044","price":25.81,"currency_code":"EUR","in_stock":true},{"title":"Texturizer · 150 ml","offer_id":53298016092507,"sku":"0355002","price":7.82,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/pastas-textura-acrilica-mir-innovart.jpg?v=1780645936"},{"product_id":"barnices-acrilicos-mir","title":"MIR Acrylic Varnishes — Gloss, Satin, and Matte","description":"\u003cp\u003eWater-based acrylic varnish to protect and give the final finish to artworks. 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Write to us via \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eWhatsApp\u003c\/a\u003e, at \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e or to info@innovart.art.\u003c\/p\u003e\u003ch3\u003eSafety\u003c\/h3\u003e\n\u003cp\u003eManufacturer's classification (MIR Acrylic Varnish Gloss \/ Satin \/ Matte safety data sheets, version 4, 12\/16\/2019). Warning word: \u003cstrong\u003eWarning\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHazard classes and categories:\u003c\/strong\u003e Skin sensitization, category 1.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePictograms:\u003c\/strong\u003e GHS07 (exclamation mark).\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eH317\u003c\/strong\u003e — May cause an allergic skin reaction.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePrecautionary statements:\u003c\/strong\u003e P261 Avoid breathing dust\/fume\/gas\/mist\/vapours\/spray · P272 Contaminated work clothing should not be allowed out of the workplace · P280 Wear protective gloves\/protective clothing\/eye protection\/face protection · P302+P352 IF ON SKIN: Wash with plenty of water · P333+P313 If skin irritation or rash occurs: Get medical advice\/attention · P501 Dispose of contents\/container in accordance with hazardous waste regulations or packaging and packaging waste regulations respectively.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupplemental information:\u003c\/strong\u003e Contains 1,2-benzisothiazol-3(2H)-one.\u003c\/p\u003e\n\u003cp\u003eFull safety data sheet available upon request at \u003ca href=\"mailto:info@innovart.art\"\u003einfo@innovart.art\u003c\/a\u003e.\u003c\/p\u003e","brand":"MIR","offers":[{"title":"Sparkling · 250 ml","offer_id":53298016125275,"sku":"0356003","price":10.73,"currency_code":"EUR","in_stock":true},{"title":"Satin · 250 ml","offer_id":53298016158043,"sku":"0357003","price":10.73,"currency_code":"EUR","in_stock":true},{"title":"Yerba mate · 250 ml","offer_id":53298016190811,"sku":"0358003","price":10.73,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8441\/2251\/files\/barnices-acrilicos-mir-innovart.jpg?v=1780645938"},{"product_id":"impasto-acrilico-mir","title":"MIR Acrylic Impasto — Oil-Type Impasto Gel","description":"\u003cp\u003eGel prepared to mix with acrylics to achieve highly pasty \"oil-like\" colors, without modifying their transparency, color, flexibility, drying, or adhesion. 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Write to us via \u003ca href=\"https:\/\/wa.me\/34614504565\"\u003eWhatsApp\u003c\/a\u003e, at \u003ca href=\"https:\/\/innovart.art\"\u003einnovart.art\u003c\/a\u003e or to info@innovart.art.\u003c\/p\u003e\u003ch3\u003eSafety\u003c\/h3\u003e\n\u003cp\u003eManufacturer's classification (safety data sheets MIR Impasto Acrílico Brillante \/ Mate, version 4, 16\/12\/2019). 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